Trent O’Donnell’s Ride The Eagle has the makings of becoming the next quirky indie darling with its charming aesthetics and top-tier cast. And though it attempts to pick up the mantle from films like “Little Miss Sunshine” and similar fuzzy, off-beat dramedies, deep down, this collaboration between O’Donnell and actor/screenwriter Jake Johnson ultimately severs a…
Megan Fox gets knocked down but gets up again (and again) in Till Death, a hyperactive thriller that eschews the slow-burn approach of the similarly themed “Gerald’s Game” for higher-octane action. The plot is a perhaps a little too telegraphic, with the outcome never really in doubt and multiple predictable scenes, but it’s anchored by…
When I browse social media I find a very common practice, which is also very curious. People ask about certain kind of movies to watch to suit a particular mood. Sometimes they want to cry themselves to sleep. Other times they want to be scared out of their wits. But if there’s a request that’s…
“Scribbled, shot and cut by Giorgio Serafini,” read the titles at the end of The Executioners, as Tim Polecat’s jaunty song “Another Word for Hate” bounces on the soundtrack, as if what we just saw was all a bit of tongue-in-cheek fun. But there’s nothing fun about Serafini’s hateful home invasion horror movie. Four twenty-something…
The Gracefield Incident begins with a home movie — a man and his wife on their way to their second ultrasound appointment. Matt Donovan (Mathieu Ratthe) can barely contain his excitement as his wife, Jess (Kimberly Laferriere, “White Night”) chastises him, asking whether he plans to record everything. “It’s his journal!” Matt replies, insistent that…
