Lady of the Manor marks Justin Long’s directorial debut after an illustrious career in many high-profile mid to late-2000s comedies. He co-directs the film with his brother Christian, who also makes his directorial debut. Together, they craft a rather middling and recycled comedy with . . . well . . . middling and recycled results….
Dollhouse: The Eradication of Female Subjectivity from American Popular Culture might be the most grotesque and nauseating films you see this year. It might also be one of the most relevant and important. Following the story of (fictional) teen pop music sensation Junie Spoons, Dollhouse is a mockumentary in the style of a tabloid news…
Late filmmaker Horace B. Jenkins’ early eighties African-American racially driven romantic drama Cane River gets a new lease on life with its millennium-era restored release nearly four decades after its attempted initial run. Indeed, Cane River epitomizes the smooth, but potently observational, character study of black division and togetherness — all under the complicated umbrella…
It does feel that the romantic comedy is becoming a lost art. Big movie studios no longer want to invest in it, and if we think back to the biggest one of 2019, it was the movie “Long Shot” starring the odd coupling of Charlize Theron and Seth Rogen. And while it was good and…
Are You Glad I’m Here is the first feature film directed by Noor Gharzeddine, a Lebanese-American director who appears equally at home in presenting Kirsten (Tess Harrison), a 24-year-old American who has found herself working as an English teacher in Beirut as she does in portraying the middle-class Lebanese family that lives next door. It…
Like a lonely, mysterious gunslinger from the Old West, a tall, slender rugged-looking man with a thick mustache comes to a small Bulgarian village near the Grecian border as part of a German work crew in Valeska Grisebach’s (“Longing”) Western. The man is Meinhard (Meinhard Neumann), in Bulgaria to work on a hydroelectric power station…
The chasm between what parents want for their children and what kids want for themselves is rarely addressed in films, especially in romantic comedies where the focus is primarily on young couples falling in and out of love and then back in again. Of course, we know that parents are usually involved, especially immigrant families…
