At the end of “Maze Runner: The Scorch Trials,” Thomas (Dylan O’Brien, “Deepwater Horizon”) and his friends have finally found solace in the mountains with a resistance group known as the Right Arm. Teresa (Kaya Scodelario, “Pirates of the Caribbean: Dead Men Tell No Tales”) reveals to Thomas she has betrayed them and their newfound…
The Godzilla franchise has seen its shares of ups and downs since its inception in Ishirô Honda’s 1954 effects opus “Gojira,” boasting a filmography spanning 30 features and two major Hollywood adaptations, with another four currently in development (two of which are Hollywood backed). Interestingly, none were animated. Now, along with anime juggernaut Gen Urobuchi…
In Chinese culture, the number three is considered lucky for its similarity to the character meaning “life” or “to give birth.” As such, Mountains May Depart makes no small use of significant triptychs in telling its story. The film is segmented into three disparate chapters and time periods; its three main characters are caught up…
Let me be blunt for a second. “Blade Runner” never needed a sequel. Yes, I know. It’s a tired statement, I get sick of hearing it too. You could argue most movies don’t need sequels. But “Blade Runner” really did not need one, more so than others, and there are a number of factors contributing…
Requesting story . . . “Access denied,” replied the film. Odd, could have sworn everything was fine earlier, specifically in the mind-blowing introductory 20 minutes of Valerian and the City of a Thousand Planets that sees director Luc Besson connecting us with our younger selves. Gleeful wonderment becomes the only thing palpable as we witness…
Based on a popular graphic novel by Marasume Shirow and directed by Rupert Sanders (“Snow White and the Huntsman”), Ghost in the Shell is a visually stunning experience with a fine core performance by Scarlett Johansson (“Captain America: Civil War”), but it borrows so much of other, mostly better science fiction films and TV series,…
Let’s get niceties out of the way first. The costume design, set design, effects and makeup — that part of Asiel Norton’s post-apocalyptic Orion is fine. It’s all good; probably a small beacon of pleasure to feel impressed by while watching. Everything else? Without any sense of hyperbole, Orion can not only at times present…
