Imagine if Stanley Kubrick, David Cronenberg, Darren Aronofsky and Gaspar Noe collaborated on a film. If they did, it might look something like Coralie Fargeat’s extraordinary The Substance, a film that blends multiple elements both familiar and innovative into something truly unique and utterly unforgettable. To unpack the (inevitably) reductive comparison, The Substance features spaces…
The romantic comedy is my favorite genre, and because I have watched so many, I have developed quite a discerning eye for what’s good or bad in the rom-com world. So where does director V.W. Scheich’s Stars Fell on Alabama fall? Well, it’s not an absolute train wreck, but it’s not exactly good either. James…
A breathtaking fantastical journey through the height of Hollywood’s most reputable and rebellious era is simultaneously a justified and monotonous way to describe Quentin Tarantino’s ninth film, Once Upon a Time … in Hollywood. Seeing classic views of the golden age of Tinseltown through the lens of the enigmatic and sometimes overbearing filmmaker is shocking…
By the 1950s, Hollywood’s Golden Age was waning, its studio system crumbling in favor of “New Wave” films and younger visionaries. The wholesome names of the 1920s and ’30s were now the distant past, though their legacies would be cemented among Hollywood’s greatest. Nevertheless, pressing on amid this sweeping change were two iconic personalities of…
The Coen Brothers. Paul Thomas Anderson. Quentin Tarantino. When you think of great American directors who defined the first decade of the new millennium, these are a few of the usual suspects. When we reflect upon the current decade, it would be unwise to neglect the rise of an unusual directorial talent: James Franco. No…
Surprisingly again, Reese Witherspoon (Lead Actress Oscar winner for “Walk the Line”) has settled for signing on the dotted line to partake in a woefully rudimentary romantic comedy. Usually considered somewhat of a spark plug in her plucky-type of roles (“Legally Blonde” being the most revered), Witherspoon is curiously reduced to playing what amounts to…
With a cut and a kick and an upbeat note, Damien Chazelle sure paints a pretty picture of classic Hollywood musical nostalgia, but La La Land is more plastic pastiche than poignant portrait. It’s a technical marvel that’s dramatically weightless, a boldly bravura effort from writer/director Damien Chazelle and his crew that’s also too cutesy…
