Emma Thompson

Movie Review: Cruella (2021)

While Cruella de Vil is an iconic Disney villain, is there much potential in showing the origin story of a character whose fashion sense leads to her wanting to skin 101 Dalmatians? The answer is a yes as prominent as the eponymous character’s bi-colored hair, as director Craig Gillespie and screenwriters Dana Fox and Tony…

Movie Review: Last Christmas (2019)

Ah, Christmas. A time of Hallmark cinematic splendor, candy canes, and Bath and Body Works candles, it truly can be (to some) the most wonderful time of the year. But what does Hollywood have to offer? Well, with cheaper competition from Netflix and Hallmark, there aren’t as many Christmas-themed gifts put under the movie theater…

Movie Review: Missing Link (2019)

Missing Link, Laika’s latest stop-motion animated feature, opens not unlike an Indiana Jones entry. Our protagonist, Sir Lionel Frost (voiced by Hugh Jackman, “ The Greatest Showman”), along with his assistant, attempt to take pictures of the Loch Ness Monster. However, Frost quickly loses control of the situation, and despite his own precision and deftness,…

Movie Review: Beauty and the Beast (2017)

This latest Disney picture, Beauty and the Beast, joins a growing list of live-action movies which traces its origins to animated films, including “The Jungle Book,” “Pete’s Dragon,” “Cinderella” and “Maleficent,” among others. The bar here, however, is just a bit higher, considering the 1991 edition became the first animated feature to earn a Best…

Movie Review: Burnt (2015)

Looks can be deceiving. Whatever has your attention is usually caused by a sexy surface that absorbs your mind, body, and soul. For some viewers, that sexy surface is the charismatic presence of a blue-eyed, slick-haired Hollywood leading man. For me, it was the characteristics of what seemed to be a really good movie and…

Movie Review: Men, Women & Children (2014)

Finally, it’s here, the film not a single person has been waiting for, Men, Women & Children, essentially Jason Reitman’s “Reefer Madness” for the digital age, is a decade late tonally conflicted mess that completely misses its mark. The first comparison that comes to mind for this film, honestly, is the beginning of “Troll 2;”…

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