While this J.A. Bayona (“The Impossible”) directed effort (based on a best-selling book by Patrick Ness), A Monster Calls, is a wonderful visual and visceral experience (and currently has critics fawning all over themselves), I, for one, can only wonder for whom this film was made. It’s certainly too dark and foreboding for children —…
I normally do not hold much hope for sequels that appear more than five years after the first installment (“The Two Jakes” comes immediately to mind). And although they fared alright with “Monsters, Inc.” and “Monsters University” (a prequel technicality), the same feeling came over me when I heard Pixar/Disney was releasing Finding Dory, a…
Over the course of three films, Neill Blomkamp has demonstrated a consistent interest in the body and the effects of the world upon it. “District 9” featured transformation into the undesirable while “Elysium” highlighted the inscription of class divisions onto the body. Chappie continues this conceit but with a reversal of Blomkamp’s debut — rather…
Ridley Scott’s Exodus: Gods and Kings may be light on characterization and depth, but it is abundant in atmosphere and scene-to-scene, gripping drama. It’s biblical by nature, and although it does not delve as far as some would like into the lives of Moses or Ramses II, it is well-intentioned, thought-provoking and flashy. The CGI,…
The stories in the Bible are some of the best to bring to life on screen and Ridley Scott knows a thing or two about breathing life into pictures of epic proportions. The two meet in 20th Century Fox’s upcoming drama, Exodus: Gods and Kings. It starts as a personal tale involving the division of…
Alicia Silverstone has reunited with Amy Heckerling in Vamps in a hope to restrike the “Clueless” flame that made her a household name in the 90s. It’s doubtful to work, but the film, which costars Krysten Ritter as Silverstone’s fellow partying vampire, has some fresh and cute qualities to it. Making it all the better…
Dave Brown (Woody Harrelson) is uncharitable, misogynistic, nihilistic, a racist, a chain-smoker, a raging alcoholic, and a bad father, but Rampart, the movie he’s thrust into, is astonishingly dull. Helmed by Oren Moverman, it explores the state of the LAPD circa the late ’90s but, despite what its title suggests, the film isn’t about the…
