Vincent Cassel

Movie Review: Jason Bourne (2016)

There are three distinct musical features in the Jason Bourne franchise. The most obvious is Moby’s “Extreme Ways,” played over the credits of each film in various versions. There is also the fast, pulsing rhythm of John Powell’s score, a musical heartbeat to the dizzying action on screen. And there is a mournful refrain that…

Movie Trailer: Jason Bourne (2016)

“The Bourne Legacy” wasn’t that bad (and it is getting a purported sequel), but it’s still a welcomed breathe of fresh air to see Matt Damon back in action in the upcoming action thriller, Jason Bourne. This time around, however, it seems Bourne has gathered his memories, but is now coming back ‘home,’ with the…

Movie Review: Child 44 (2015)

There’s plenty to like about director Daniel Espinosa’s (“Safe House”) latest politically-driven crime thriller, Child 44. There’s a strict hierarchy of Iron Curtain power, no holds barred bloodshed, costumes that rival the best period pieces and, most importantly, a mesmerizing story (based off of Tom Rob Smith’s novel bearing the same name). There’s plenty of…

Movie Review: A Dangerous Method (2011)

Fans of David Cronenberg may be at first put off by the pristine stuffiness that envelops A Dangerous Method. While the historical basis for the film is depicted in John Kerr’s “A Most Dangerous Method,” the screenplay has been adapted by Christopher Hampton from his 2002 stage play “The Talking Cure,” and it shows. This…

Movie Trailer: A Dangerous Method (2011)

Even the great scientific minds of Sigmund Freud and Carl Jung can misstep. Especially when a beautiful and complicated woman is involved. In David Cronenberg’s A Dangerous Method, ethical and moral lines are crossed, when both men fall under said woman’s spell. The trailer, which released today by HanWay Films, promises the movie will spice…

Movie Review: Black Swan (2010)

Never in my right mind would I have thought to watch a film about ballet dancers. Admittedly, I’m not sophisticated enough to partake in any sort of classical theater (though I did listen to a bit of “The Nutcracker” once — my nose titled upward with class). But after seeing Darren Aronofsky’s Black Swan, my…

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