You and I both know the truth. You just don't admit it.
Part good. Part bad. All modern. RoboCop, everyone’s favorite cinematic cyborg do-gooder, returns to the big screen after a 21-year absence, now in a shiny, sanitized package that smartly brings the character into our post-9/11 reality only to malfunction halfway through by blandly defanging the franchise’s satirical bite. The opening chunk of José Padilha’s 2014…
When it comes to tales of familial strife, movies sure love to put the fun in dysfunctional. But in the dark, depressing August: Osage County, the Weston family settles for nothing less than the whole word. There’s nothing particularly fun about this group, not when it’s just matriarch Violet (Meryl Streep) screaming at patriarch Beverly…
Maintaining a single conversation for the entirety of a feature movie’s running time is certainly a bold aim, but for all the good will that ambition engenders, it’s tough to be anything but exhausted and irritated by the rambling ridiculousness on display in producer/director Jonathan Soler’s Phantom. After a quiet, patient opening scene of a…
Walt’s schmaltz, both old and new, is on display in the cute little period piece Saving Mr. Banks, which looks at a particularly bumpy stretch on the Disney-paved road to turning Mary Poppins into a cinematic classic. There’s a war over sentimentality being waged between Disney himself (a warm, welcoming Tom Hanks here) and Mary…
In a world of ice, Disney finds great warmth. It’s the sort of cutesy irony that sounds like it should be coated in sugar, but with Frozen, Disney takes the sweet concept and transforms it into their most poignant and powerful picture in over a decade. Or nearly even two decades if you consider that…
Cold and distant meets warm and fuzzy in the little Brit pic Philomena and while the odd coupling clearly adheres to the philosophy that opposites attract, the movie is really all about sentimentality with just a side of snark. That snark comes courtesy of recently fired journalist Martin Sixsmith (Steve Coogan, also the script’s co-writer…
When it comes to the narrative twist, there’s the element of surprise and the element of effectiveness. The best and most memorable twists entwine the two, so we’re both caught off guard and emotionally engaged enough to care. With their short Point Mugu, director Francis Dreis and co-writers Amelia Jackson-Gray and Erin Ross get halfway…
