A journalist and alumni of the Film Theory & Criticism graduate program at Central Michigan University; Floyd Smith III is a cinephile whose written for multiple publications including moviepilot and RadioOne and has a background in news writing for the independent publication The North Wind. Studying film since his time as an undergrad, he began officially reviewing films and reporting on entertainment in 2014. Smith joined CMC in January of 2016 and enjoys films of the science fiction, comic book, and horror genres.
Releasing on the heels of one of the country’s most assertive civil rights movements comes Da 5 Bloods, a Spike Lee (“BlacKkKlansman”) joint about one of the most overlooked groups in civil rights history: Black veterans of the Vietnam war. The film seemingly couldn’t have been released at a more relevant time as viewers can…
Joining A24’s pantheon of beautifully crafted, enigmatic thrillers is The Lighthouse, the sophomore effort by horror auteur Robert Eggers. Based on two seamen on an isolated lighthouse in the late 1800’s, this strange thriller tackles a simplistic setting from a mind-numbing perspective and is more than enough evidence to support the resounding resurgence of unsettling,…
A breathtaking fantastical journey through the height of Hollywood’s most reputable and rebellious era is simultaneously a justified and monotonous way to describe Quentin Tarantino’s ninth film, Once Upon a Time … in Hollywood. Seeing classic views of the golden age of Tinseltown through the lens of the enigmatic and sometimes overbearing filmmaker is shocking…
In a world where most modern monster horror/thriller hybrids are regulated to Netflix or the SyFy channel, its interesting to see a monster flick about wild alligators terrorizing people during a hurricane has managed to work it’s way into theaters instead of one of the countless streaming sites or a dusty corner on basic cable….
With Brightburn, David Yarovesky presents a welcomed twist to the superhero genre with his anti-superhero/horror hybrid that presents the perfect elevator pitch of what would happen if Superman wanted to hurt people instead of help them. Affiliated with eclectic director James Gunn (credited as a producer), Yarovesky is no stranger to the superhero genre having…
Fans of Jordan Peele’s incomparable societal critique “Get Out” can rejoice as the horror-auteur swings for the fences in his newest horror-thriller Us, and for the most part, hits it straight out of the park. Piggybacking off of the inquisitive, yet cynical, tone of his directorial debut, Us follows the Wilson family as they attempt…
Horror auteur (“The Conjuring”) and box office money maker (“Furious 7”) James Wan takes a somewhat unexpected stab at the superhero genre with Aquaman. Starring the imposing, but beloved, Jason Momoa (“Conan the Barbarian”), scene stealing Amber Heard (“Machete Kills”), and a seasoned Willem Dafoe (“The Florida Project”), Wan’s installment to the successful (albeit it…
