Frank Ochieng has been an online movie reviewer for various movie outlets throughout the years before coming on board at CMC. Previously, Frank had been a film critic for The Boston Banner (now The Bay State Banner) urban newspaper and had appeared on Boston's WBZ NewsRadio 1030 AM for an 11-year run as a recurring media commentator/panelist on the "Movie/TV Night" overnight broadcasts. He is a member of the Online Film Critics Society (OFCS) and the Internet Film Critics Society (IFCS). Frank is a graduate of Suffolk University in the historic section of Boston's Beacon Hill.
“Jay Chandrasekhar helms this wacky vehicle with all the conviction of a defective police siren . . . feels more like an excuse for Chandrasekhar and his fratboy Broken Lizard comedy troupe players to merge and serve up their pet project just to kill some time.” — Frank Ochieng’s critical take on 2001’s “Super Troopers”…
Director/co-writer Matt Spicer intriguingly meshes together a sharply insightful confection of deranged, alienated millennium-era feminine empowerment tweaked with disturbing, quirky overtones. The skillful and sardonically executed dramedy Ingrid Goes West is a smart, satirical and blistering commentary on youthful loneliness tied in the murky web of social media deception and obsession. Vastly witty and perceptive,…
Interestingly Death Wish, the millennial-era remake of the gritty mid 70’s crime thriller of the same name, notoriously arrives in theaters at an increasingly awkward moment in a divisive national climate (particularly in the aftermath of the most recent high school shooting) where the political stakes regarding gun violence in America are at an all-time…
There are many variables transpiring in the gritty, yet grating, urban crime flick Proud Mary that want desperately to embrace themes of unconventional motherly instincts and clichéd street-wise mayhem. Unfortunately for “The Curious Case of Benjamin Button” Oscar-nominated star Taraji P. Henson (who also has an executive producing credit for this lopsided actioner), her labored…
One thing you can say about the fourth collaboration of Spanish filmmaker Jaume Collet-Serra and his avenging one-man army lead Liam Neeson: They certainly know how to revisit a movie formula and belabor it to death. In the stylish yet tepid transport mystery/thriller The Commuter the concocted suspense is needlessly derailed for yet another exploration…
The topic of “Papa Was A Rolling Stone” is more than a classic tune from the legendary Motown musical act The Temptations — it also happens to be the breezy theme behind the clunky comedy, Father Figures. The “who’s your daddy” premise is a woefully tired one, but it did not prevent director Lawrence Sher…
After two heralded breezy and finger-snapping editions, the sassy songbirds of the Barden Bellas are back for a supposedly final installment, and sad to say it is not a charm the third time around in the lame, toe-tapping Pitch Perfect 3. In 2012 movie audience giddily fell for the vocalizing vixens of “Pitch Perfect” making…
