Articles by Natasha Alvar

The Critical Movie Critics

Natasha is an English Literature teacher. She believes that stories are the essence of being human, and loves sharing this world with her students. One day, she hopes to break into the literary world with an offering of her own, but for now, she finds enjoyment in writing plays for her students as well as penning content for The Critical Movie Critics. She also writes for moviebabblereviews.com in her spare time. You can follow her @litmysoul on Instagram, if you want.


Movie Review: All These Small Moments (2018)

All These Small Moments is essentially real life on screen; at least how I imagine real life to be. We are privy to the small moments of a family’s life, the witness to the possible unfurling of a marriage and a young boy’s first venture into love — an ending in love in tandem with…

Movie Review: Maine (2018)

Maine spends the first ten minutes immersing the viewers in its setting. There is no dialogue, just the picturesque Appalachian Trail, the sound of the wind, and a woman (Laia Costa, “Victoria”) going about her business, which involves peeing in the bushes and fiddling about with sanitary products. The immersion in nature and its elements…

Movie Review: Write When You Get Work (2018)

Write When You Get Work starts off with promise. The opening image is that of a young couple, rolling about on the beach, caught up in their own little sensual bubble. This is a good enough tease, where we are invited into their relationship but not bogged down with details, the movie excelling in the…

Movie Review: Dismissed (2017)

Dismissed, in a nutshell, is every teacher’s nightmare made flesh: A psychopathic student seeking revenge because he was given a poor grade (in this case a B+). Sidenote: I wish I could inspire such soaring ambition in my own students. In trying to sell this nightmare, the teacher becomes incredibly stupid. He does asinine things…

Movie Review: Bohemian Rhapsody (2018)

Bohemian Rhapsody certainly did not have the smoothest of beginnings, with Sacha Baron Cohen (“Borat”) — who was first slated to pick up the mantle of Freddie Mercury — leaving due to creative differences. Cohen wanted to go down a more authentic, grittier road, a road paved with rampant sex scenes and pornographic amounts of…

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