Articles by Vincent Gaine

The Critical Movie Critics

Dr. Vincent M. Gaine is a film and television researcher. His first book, Existentialism and Social Engagement in the Films of Michael Mann was published by Palgrave MacMillan in 2011. His work on film and media has been published in Cinema Journal and The Journal of Technology, Theology and Religion, as well as edited collections including The 21st Century Superhero and The Directory of World Cinema.


Movie Review: Index Zero (2014)

Science fiction has the ability both to portray fantastical possible worlds and to highlight the realities (and frequently, the iniquities) of our own world. Dystopia especially takes aspects of contemporary culture and society and exaggerates them for dramatic effect. One of the most popular themes of dystopia is class, ranging from the workers of “Metropolis”…

Movie Review: A Good Marriage (2014)

The name “Stephen King” is synonymous with horror and indeed with movies in general. With such famous associations as “The Shining,” “Carrie,” “Misery,” “Salem’s Lot,” “Pet Cemetery” as well as “The Shawshank Redemption” and “The Green Mile,” not to mention television horror “It,” “The Tommyknockers” and “The Stand,” the King brand is one that continues…

Movie Review: Stefano Formaggio (2014)

Cheese. Beloved by Wallace and Gromit; source of comedic consternation for George Clooney in “Burn After Reading;” key ingredient for Remy in “Ratatouille.” Hardly the most disturbing food to be portrayed on screen. Nonetheless, writer-director Darren Darnborough succeeds in making his short film about cheese sinister and sexy in equal measure, as well as exquisitely…

Movie Review: Ex Machina (2015)

Science fiction has long explored the question of what it is to be human. This philosophical topic has involved different non-human figures, such as extra-terrestrials in “Invasion of the Body Snatchers” and “Avatar,” clones in “Never Let Me Go” and “The Island” and perhaps most frequently, artificial intelligence. Films such as “Metropolis,” “2001: A Space…

Movie Review: Chappie (2015)

Over the course of three films, Neill Blomkamp has demonstrated a consistent interest in the body and the effects of the world upon it. “District 9” featured transformation into the undesirable while “Elysium” highlighted the inscription of class divisions onto the body. Chappie continues this conceit but with a reversal of Blomkamp’s debut — rather…

Movie Review: Blackhat (2015)

From its opening images of our planet illuminated by technology, to a remarkable long take that takes the viewer through the inner operation and impact of computer processing, Blackhat hooks the viewer both emotionally and intellectually. The film delivers an enthralling rendering of both the macro and micro scale of our interconnected digital world, offering…

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