Jayne Mansfield’s Car is a tedious, depressing dysfunctional film about a tedious, depressing, dysfunctional pair of families, headed by patriarchs Robert Duvall and John Hurt, respectively. It seems that 30 years before, Kingsley Bedford (Hurt) stole Jim Caldwell’s (Duvall) wife, Naomi (Tippi Hedren, whose most famous role was in Alfred Hitchcock’s “The Birds“) and took…
Most famous and renowned for his passionate tales of romance, Kar Wai Wong still seems like an inspired fit for Chinese martial arts moviemaking. The beloved director has a lyrical control of tone and atmosphere, can precisely pace a picture, and has exhibited careful control of the camera. The challenge of melding artful storytelling with…
In the third installment of this franchise, Vin Diesel proves once again that he cannot act his way off of a hostile planet and that his career peaked in “Saving Private Ryan.” Still, as far as dangerous worlds to inhabit, at least this one in Riddick is better than the one in “After Earth.” In…
Formula 1 isn’t often considered movie material for two main reasons: Firstly, recreating such high-speed action in a way that’s even close to reality is incredibly difficult, and secondly, these races last somewhere around 60 laps, and mainstream audiences aren’t going to pay just to see fake cars zoom around fake laps when they could…
I think the first order of business after completing this review would be to sue Warner Brothers, as well as other makers of this film for long-term effects of seizures due to the constant and — at times — almost unbearably shaky, vibrating and just plain jumpy “Cloverfield“-like camera work employed by director Courtney Solomon…
When it comes to films about relationships, whether they are platonic or romantic, we’re all going to have different takes on them. Naturally, how we view any film has a lot to do with our own experiences, but with such a personal topic, the influence of our feelings on the issues at hand are bound…
We’ve all seen at least a few coming-of-age summer films, and as a directorial debut for Nat Faxon and Jim Rash it certainly isn’t the most adventurous or original topic, but The Way Way Back is executed so wonderfully that it’s hard to find cause for complaint. It’s nostalgic without making you cringe (at least,…
