Reinert Kiil is the Norwegian director responsible for the sort-of-okay slasher “Christmas Blood” (“Juleblod”). If that film was a brooding modernization of “Silent Night, Deadly Night” then The House (“Huset”) must be his re-imagining of “The Conjuring.” On the surface it’s an interesting new twist on the familiar, demon-possessed madhouse setup. Two Nazi soldiers are…
Much like the immediate outlook of its unlucky characters, the details are stark in Arctic. In Joe Penna’s pulls-no-punches survivalist drama, the seemingly skyscraper-sized “SOS” carved out in deep snow; the remains of a grounded, battered plane that looks like it’s flown through hell and back; and the pop of red of a winter coat…
In Stray, an orphaned young woman struggles to discover the reasons behind her mother’s death, aided by an indefatigable detective with child-care issues of her own. The plot is also tinged with a bit of the supernatural, which typically would raise this movie a few cuts above your standard police procedural. Instead, the film left…
In comparison, the western world’s absurd fascination with social media, online celebrity/fandom, and socioeconomic gain in virtual reality seems to take a noticeable backseat to the immense obsession that is China’s ultra-live streaming epidemic. Filmmaker Hao Wu’s tellingly spry and insightful documentary People’s Republic of Desire is an involving expose of this technological addiction gone…
Piggybacking on the commercial (if not critical) success of other overstuffed vignette-driven holiday-centric movies such as “Love, Actually,” “Valentine’s Day,” and “New Year’s Eve,” Berlin, I Love You is the fourth installment in the “Cities of Love” franchise. This iteration, like those lovingly set in Paris, New York and Rio previously, follows way too many…
In 1978, director John Carpenter made one of the most profitable and influential indie horror films in the history of American cinema, “Halloween.” Some critics argue that it jump-started the slasher genre, although “The Texas Chainsaw Massacre” (1974) and “Ecologia del delitto” (1971) precede it, as well as plenty of Italian giallo flicks and earlier…
Is it possible to do questionable things for a noble cause? Well, veteran director Catherine Hardwicke (“Twilight”) and first-time full feature screenwriter Gareth Dunnet-Alcocer clumsily answer that thematic question with Miss Bala, an Americanized reshaping of a 2011 Spanish-language tale with the same name. Their vision replays similar story beats as the original, but lacks…
