Christopher Lawrence Chapman’s debut feature, Inoperable, is a horror film about a 30-year-old woman struggling to escape from a half-deserted hospital while “the T-rex of hurricanes” sweeps overhead. The opening titles are like a scratchy throwback to David Fincher’s “Se7en,” and the end credits splash the screen with comic book text. Neither bookend is relevant…
A few weeks ago, a friend returned from her annual trip to her family’s farm, about two hours outside of Sydney. When she returned home, I was shocked to hear how common it was for people to hunt and shoot kangaroos, supported by photos of them proudly holding the slain marsupials by their feet. Confused…
The topic of “Papa Was A Rolling Stone” is more than a classic tune from the legendary Motown musical act The Temptations — it also happens to be the breezy theme behind the clunky comedy, Father Figures. The “who’s your daddy” premise is a woefully tired one, but it did not prevent director Lawrence Sher…
Inspired by true events, Bilal: A New Breed of Hero tells the story of a real hero who earned his place in history after liberating himself and inspiring others to do likewise. This Arabic animated feature is intoxicating and beautifully drawn. The animation is textured and multidimensional, almost reminiscent of cutting-edge video game graphics. There…
Director Simon West (“The Expendables 2”) does the name of British comedy a disservice in his latest turn, Gun Shy, while simultaneously doing no favors for his own reputation as a formidable name in action. Billed as an action-comedy, Gun Shy gives us little of either, which is why its biggest problem can be summed…
At the end of “Maze Runner: The Scorch Trials,” Thomas (Dylan O’Brien, “Deepwater Horizon”) and his friends have finally found solace in the mountains with a resistance group known as the Right Arm. Teresa (Kaya Scodelario, “Pirates of the Caribbean: Dead Men Tell No Tales”) reveals to Thomas she has betrayed them and their newfound…
Altogether, Hostiles is both sprawling and narrow, profoundly tense and equally mellow. That might sound like a film of contradictions — a message too lost in the majestic western landscapes. That’s not quite the case, though. Scott Cooper’s western carries the same slow-burn sensibilities as his 2013 down-home thriller, “Out of the Furnace,” which also,…
