It’s hard to believe that Road to Hell is Albert Pyun’s 50th movie, and even harder to believe that he still can’t make a decent film. Originally shot in 2008, it’s surely a labor of love for the micro-budget auteur, although I’m not sure how much love it’s likely to receive beyond the initiated. Heavily…
That will do, super pig. That will do. Animals never have it easy in Bong Joon-ho’s world: “Barking Dogs Never Bite” paints those that yap as vermin that need terminating, “The Host” mutates a fish into a rampaging abomination and now Okja follows a hybrid fated for the abattoir. Yet, rather than rage at or…
Before I begin this review for Transformers: The Last Knight, let me thank director Michael Bay for doing something no one has ever done for me: Going through so much time and expense to bore the living heck out of me. For that I am eternally grateful. Now blatantly obvious, this series — like many…
Animated films aimed at children are sometimes made to the detriment of the trapped grown-ups that have to accompany their restless tykes and endure the relentlessly silly-minded, junior-sized high jinks. However, there are a few animated films that can equally draw in the impish impulses of both the giddy child and sensible adult alike —…
For a film franchise that began in 1931 (with Boris Karloff in the original title role) and includes literally dozens of pictures, there are still some new things I learned from this latest edition (directed by Alex Kurtzman, “People Like Us”) of The Mummy. For instance, mummies and other otherworldly entities — even though buried…
One of the highlights of “Captain America: Civil War” is headlining his own adventure, and it looks bonkers. The teaser for Black Panther, a substantially better representation of the project than the poster, features vivid imagery, an intriguing tribal-versus-modern setting plus just enough information about a conflict that can affect more than T’Challa’s (Chadwick Boseman,…
There is an idealized Wonder Woman. It’s vague and often inconsistent in description, but seemingly ethereal in public consciousness, in spite of any prior comic book knowledge, or lack thereof. I would compare the cultural assumption to Superman, and the balancing act the original Richard Donner film had to pull off. The benefit of finally…
