“I’m Nobody! Who are you? Are you — Nobody — too? Then there’s a pair of us!” — Emily Dickinson They are children of the streets. You can see them in the slums and marginalized neighborhoods of every major city in the world — begging, selling trinkets or other wares, carrying heavy loads for some…
It would be an understatement to say that I have been merely looking forward to Glass. Its arrival was all I could think about since it was announced after the release of “Split,” a movie that came out three years ago. Having watched “Unbreakable” all those years ago, I felt my mind break a little…
All These Small Moments is essentially real life on screen; at least how I imagine real life to be. We are privy to the small moments of a family’s life, the witness to the possible unfurling of a marriage and a young boy’s first venture into love — an ending in love in tandem with…
Besides minor adjustments with its story and certain supporting characters, Neil Burger’s (“Limitless”) The Upside is a fairly faithful remake of the popular 2011 French film “The Intouchables.” Both movies are inspired by the real-life friendship of French aristocrat Philippe Pozzo di Borgo and his Algerian caretaker Abdel Sellou and each highlight their dynamics of…
Meredith Danluck’s State Like Sleep is one of those films that, despite disguising itself as a slow-burning mystery, reveals its thesis within the first 30 seconds. During a televised press interview, Belgian actor Stefan Delvoe (Michiel Huisman, “The Ottoman Lieutenant”) elaborates on the greater significance of being an actor, a filmmaker, and a person, “We…
Greek director Yorgos Lanthimos, whose previous films have expressed a rather jaundiced view of humanity (“The Killing of a Sacred Deer,” “The Lobster”), has found a most appropriate target for his cynicism in his “mainstream” comedy, The Favourite, the story of sickly 18th century British monarch Queen Anne (Olivia Colman, “Murder on the Orient Express”)…
Mary Queen of Scots, Josie Rourke’s interpretation of rival queens in the 16th century is stilted and anticlimactic, with poor pacing and a weak screenplay that casts a rather conspicuous shadow over its two prominent leads, Saoirse Ronan (“Lady Bird”) and Margot Robbie (“I, Tonya”). Rourke, long affiliated with the London stage (she’s the artistic…
