Ása Helga Hjörleifsdóttir, director and screenwriter of The Swan (“Svanurinn”), a low-key Icelandic film (adapted from the 1992 novel by Guðbergur Bergsson) was asked in an interview how she tackled the job of transforming a novel written with a preponderance of interiority into a movie. The question can be answered by examining its cinematography, which…
“How many roads must a man walk down, before you call him a man?” — Bob Dylan For many, playing a game of soccer on a Sunday afternoon is a pleasant way to spend time with friends before the next work week begins. For a group of undocumented workers living in the Sunset Park neighborhood…
Night Comes On is a powerfully told and emotionally intelligent feature debut from director Jordana Spiro. By focusing on creating a connection with their characters, Spiro and co-writer Angelica Nwandu infuse an otherwise typical story with not only originality, but also care and empathy. Night Comes On thus becomes neither a coming-of-age tale nor a…
Ignacio “Nacho” Vigalondo is such a breath of fresh air. He values creative concepts and playful storytelling over exhaustive explanations and trite plot turns. He is fully aware of the tropes he’s toying with and knows when to tweak them and by how much. He’s very good at engaging the audience and then recognizing that…
“I am convinced there will be mutual understanding among human beings . . . in spite of all the suffering, the blood, the broken glass” — Pablo Neruda, Memoirs Based on the novel “My Abandonment” by Peter Rock and adapted from a screenplay by Granik and Anne Rosellini, Debra Granik’s Leave No Trace is the…
“You don’t have to go looking for love when it’s where you come from” — Werner Erhard Isabelle (Juliette Binoche, “Ghost in the Shell”), a divorced fiftyish artist, is attractive, urbane, and highly intelligent but her relationships seem to have a built-in mechanism for self destruction. The men in Isabelle’s life offer her little except…
Mexican cartels are bad and Emily Blunt is good. These are the main takeaways from the generic sequel Sicario: Day of the Soldado, which serves only as an overlong, unnecessary reminder of how gripping Denis Villeneuve’s 2015 predecessor was. This continuation of the story that follows government agents embroiled in the drug war jettisons Blunt’s…
