“Certain persons in the world exist, not as personalities in themselves, but as spots or specks on the personalities of others” — N. V. Gogol, “Dead Souls” A Gentle Creature is as Russian a creature can ever be. It is the kind of character-driven story where the protagonist is bereft of all possible character —…
Not since “The Electric Horseman” in 1979 have we had the distinct pleasure of seeing two outstanding actors, Robert Redford (“All Is Lost”), now 81, and Jane Fonda (“Youth”), now 79, working together in the same film. That situation has now changed with the release of Our Souls at Night, directed by Ritesh Batra whose…
As audiences screamed and jumped in the mostly silent screenings of “A Quiet Place” over the weekend, I found myself facing a pregnancy-related horror film of a different type. Leena Pendharkar’s 20 Weeks follows a young couple as they deal with an unplanned pregnancy and then subsequently with the baby having a physical disability and…
A part of the town of Edgartown, Massachusetts is a small island on the eastern end of Martha’s Vineyard known as Chappaquiddick. It’s famous because on July 18, 1969, a 1967 Oldsmobile carrying U.S. Senator Edward M. Kennedy (Jason Clarke, “Mudbound”), then 36, and Kennedy staffer Mary Jo Kopechne (Kate Mara, “Megan Leavey”), 28, plunged…
“Who are we if we can’t protect them?” Evelyn Abbott (Emily Blunt, “The Girl on the Train”) asks her husband Lee (John Krasinski, “13 Hours: The Secret Soldiers of Benghazi”) in one of the only scenes in A Quiet Place in which dialogue can even be heard. The “them” Evelyn is referring to are her…
In the film, Sweet Country, set in the bleak Northern Territory of Australia of the 1920s, there is a brief interchange between a hard-working, though weary and aging Archie (Gibson John), an Aboriginal cattle hand, and a wayward teenage Aboriginal Philomac (played by the twins, Tremayne and Trevan Doolan). Archie lectures the boy about their…
Winner of the Silver Lion at the Venice International Film Festival and Israel’s submission to the 2018 Oscars for Best Foreign Language Film, Israeli director Samuel Maoz’s (“Lebanon”) brilliant and confounding Foxtrot reveals itself less by narrative than by images: A narrow road in an empty stretch of desert, a lonely camel meandering through a…
