What we find scary will vary enormously. For some it’s the supernatural, for others the psychological. We may be revolted by physical suffering or horrified by social oppression. The Owners is a film that capitalizes on multiple registers of fear to create an unsettling space, both within the framework of the film and more widely,…
A zombie outbreak has hit the world pretty hard in Jeff Barnaby’s gnarly apocalyptic horror thriller Blood Quantum. Well, except for the isolated Mi’kmaq reservation, whose inhabitants appear to be immune the virus. As the Native peoples are beset by townies and tourists alike who stream to their lands seeking refuge and possibly a cure,…
If Charlie Steeds’ The Barge People had been released in the 1980s or 1990s, it would have been released by Full Moon or Troma. That’s certainly no slight on those two companies, but rather a nod to two true-blue schlock producers of recent times. The plot is uncomplicated, the performances not overly nuanced, and the…
The Rental is a film that offers many generic elements. It combines aspects of horror and thriller, and within those we find features of the surveillance and home invasion sub-genres, and also the well-worn slasher. The characters are combinations of private, professional and political concepts, and the clashes between these form much of the drama…
The mission brief to Ghosts of War is simple: Five American soldiers must defend a chateau in 1944 Normandy, that, as luck would have it, is apparently haunted. Sadly, however, this trope-laden plot is the only pillar of stability in an incomprehensible mess of a film, which burns like a ragged bullet-wound to the stomach….
The juxtaposition of comedy, tragedy and horror is a tricky thing to pull off. Lean too hard one way and the comedy can be inappropriate or just lame and unfunny. Lean another way and the tragedy can be unintentionally comical or painful. And lean the third way and the horror can be silly. Those films…
To describe the plot of One Cut of the Dead is to (slightly) spoil it, but it is also to highly recommend it. Without giving away too many details, director Shin’ichirô Ueda delivers a film within a film within a film (plus a bit extra), making it a gloriously meta-meta movie about movie making. If…
