Musical

Movie Review: Liam Gallagher: As It Was (2019)

If you haven’t heard of Liam Gallagher, previously of the band Oasis, then you must have been hiding under the largest rock imaginable. He and his brother Noel, were the catalyst behind the incredibly successful band, that is until it all came to a screeching halt ten years ago, traced back to a fateful 2009…

Movie Review: Aladdin (2019)

Depending on your tolerance for redundancy, there’s a surprising amount of fun to be had in Disney’s Guy Ritchie-helmed Aladdin remake. That’s a far cry from the disaster this could have been and seemed destined to be at one point, considering a laundry list of potential issues ranging from the source material that casually mixes…

Movie Review: The Lion King (2019)

I don’t even know what to say. Or why to bother. To stare into the void that is Disney’s soul-sucked remake of its cinematic safari The Lion King is to come face to face with a profound and overwhelming sense of meaninglessness. It’s the same movie they released in 1994, only worse in all ways…

Movie Review: Rocketman (2019)

The most dramatic sequences of 2018’s Best Picture, “Green Book,” involved the piano playing of Doctor Don Shirley. In another recent awards winner, “Bohemian Rhapsody,” the recreations of Freddy Mercury’s performances proved to be a high point. These sequences, well-rendered by directors Peter Farrelly and Bryan Singer, respectively, are put into the shade of the…

Movie Trailer: The Lion King (2019)

The continued effort to update and bring “live-action” realism to their classics (e.g., “Dumbo,” “The Jungle Book,” “Beauty and the Beast,”) continues for Disney with The Lion King. It follows the same premise as the 1994 animated feature (as well as “Kimba the White Lion” from which it was lifted) in which a young lion…

Movie Review: Anna and the Apocalypse (2018)

Off the top of your head have you ever wondered when the next zombie Christmas musical would launch for your seasonal enjoyment? Well, one would have to look no further than the John McPhail (“Where Do We Go From Here?”) directed Anna and the Apocalypse, a festive zom-com spectacle with a sense of bloody cheekiness….

Movie Review: The Greatest Showman (2017)

The Greatest Showman is a confusing animal. Its opening frames begin the movie by displaying the familiar and orchestral 20th Century Fox logo used from the 50s through the 80s, implying the audience is in for a reverent throwback to the classic Hollywood musicals of yore. Then — literally six seconds later — the studio’s…

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