Thriller

Movie Review: Bright (2017)

There isn’t a solitary way to absorb and dissect the various idiosyncrasies and potentials that exist within Netflix’s most expensive feature film, Bright. Director David Ayer has teamed up with screenwriter Max Landis to conjure up a world where “Lord of the Rings” wants to be a gritty police remake of “Harry Potter.” A novel…

Movie Review: The Shape of Water (2017)

While we know that some monsters are decidedly not lovable, the creature in Mexican director Guillermo del Toro’s The Shape of Water, like many humans who roam the planet, is more of a lonely outcast seeking connection than a life-threatening presence. Performed by Doug Jones (“The Bye Bye Man”) underneath all the prosthetics, this monster…

Movie Review: The Unseen (2017)

A sheep in wolf’s clothing — by which I mean a B-movie in Euro-arthouse clothing — The Unseen shoulders its way into the dynasty of slow-burn horror films about middle class parents escaping to some distant place to cope with the grief of losing a child. Writer-director Gary Sinyor has a history of lightweight rom-coms…

Movie Review: Somebody’s Darling (2016)

To describe what breed of horror movie Somebody’s Darling is would be a spoiler in itself. Suffice to say, it’s small-scale, slow-burning, strange and sometimes surreal. It’s also very good. The setting is Williamsburg University, in 2006. History student Sarah (Jessa Settle, “Accidentally Engaged”) and her bitchy buddies arrive at a frat party and find…

Movie Review: The Follower (2017)

“Creepy Passion” might sound like a dating site for certain high-profile members of the movie industry, but in this unambitious found footage horrorer, The Follower, from feature debutant writer-director Kévin Mendiboure, it’s the name of a faux YouTube program specializing in all things scary. That’s why its presenter, David Baker (Nicolas Shake, “A Prayer Before…

Movie Review: The Killing of a Sacred Deer (2017)

The digital age is slickly skewered on the sharp blade of a knife that cuts a clean swath of revenge through a wealthy family’s existence in sick satirist Yorgos Lanthimos’ genre-blurring The Killing of a Sacred Deer. Lanthimos buries his satirical observations deep and then brushes away select portions of the surface to reveal grim…

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