PG-13

Movie Review: Robin Hood (2018)

In the past, he’s been Douglas Fairbanks, Errol Flynn, and an animated fox. Now he gets to be Batman. Robin Hood, that legendary outlaw of yore, has recently returned to the big screen for his routine re-imagining in Robin Hood and this time he has more in common with the caped crusader than the Lincoln…

Movie Review: Green Book (2018)

Martin Luther King’s message that people should be judged not on the color of their skin but on the content of their character came one year too late to reach the folks encountered by black Jamaican jazz pianist Dr. Don Shirley (Mahershala Ali, “Hidden Figures”), in his 1962 concert tour of the segregated Deep South….

Movie Review: Fantastic Beasts: The Crimes of Grindelwald (2018)

Zoë Kravitz’s (“Rough Night”) character in Fantastic Beasts: The Crimes of Grindelwald, Leta Lestrange, tells the franchise’s bashful hero, Newt Scamander (Eddie Redmayne, “The Danish Girl”), “You never met a monster you couldn’t love.” The line is actually quite interchangeable with the film itself. While the narrative is somewhat of a slog, there is just…

Movie Review: Molly (2017)

Molly (Julia Batelaan, “Kill Mode”) is Max Rockatansky, Furiosa and Katniss Everdeen all rolled into one. Sounds pretty spectacular, right? While totally rad(iated) in concept, this micro-budget action epic, Molly, from directors Colinda Bongers and Thijs Meuwese is pretty unwatchable in execution. The setting is “Sunder Land,” which will greatly amuse fans of Northern English…

Movie Review: Bohemian Rhapsody (2018)

Bohemian Rhapsody certainly did not have the smoothest of beginnings, with Sacha Baron Cohen (“Borat”) — who was first slated to pick up the mantle of Freddie Mercury — leaving due to creative differences. Cohen wanted to go down a more authentic, grittier road, a road paved with rampant sex scenes and pornographic amounts of…

Movie Review: The Darkest Minds (2018)

Wouldn’t you know it, another faceless dystopian drama featuring teens situated in manufactured peril courtesy of the distrust and paranoia of the older establishment has made an appearance. After all, Hollywood must be vigilant in its continued efforts to tap into the teen movie-going market (this time courtesy of Alexandra Bracken’s 2012 novel “The Darkest…

Movie Review: First Man (2018)

Damien Chazelle’s interpretation of the Apollo 11 moon landing is a visceral, emotive and carefully executed film, and a drastically different follow up to his Oscar-winning 2016 musical, “La La Land.” Based on strong source material from James R. Hansen, with a poignant score from frequent collaborator Justin Hurwitz and Chazelle’s celestial vision and tight…

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