Even bearing in mind that this film was always going to be fighting the uphill battle of the “middle film” curse, The Hobbit: The Desolation of Smaug still didn’t quite live up to expectations. Perhaps it’s because “The Lord of the Rings: The Two Towers” — Peter Jackson’s last “middle film”, from The Lord of…
Cold and distant meets warm and fuzzy in the little Brit pic Philomena and while the odd coupling clearly adheres to the philosophy that opposites attract, the movie is really all about sentimentality with just a side of snark. That snark comes courtesy of recently fired journalist Martin Sixsmith (Steve Coogan, also the script’s co-writer…
A leaked trailer for Godzilla popped up a month or so ago and was promptly pulled. But before it was, it was abundantly clear that this Godzilla is not the same as the 1998 Roland Emmerich version. Today Warner Bros. dropped the official version and it too makes no allusions that the radioactive dinosaur/lizard-monster is…
The Rhino. The Green Goblin. Electro. They’re all on display in Marvel Studio’s latest superhero movie, The Amazing Spider-Man 2. They all, for one reason or another, also want to see Spider-Man destroyed. Aside from them (even though they play a huge part in the movie), focus is paid to the blossoming relationship between Peter…
If I didn’t read otherwise, I’d swear Roland Emmerich was the director behind FilmDistrict’s upcoming film Pompeii. Why? Well because it’s got his trademarks all over it, including his oft-criticized, over-the-top, CGIed-to-death disaster sequence. Apparently, however, Paul W.S. Anderson, director of such bombastic outings like “Resident Evil: Retribution” and “The Three Musketeers” asked to borrow…
What happens when a slouch finds out he has more children than he can count on 100 hands? Well, in director Ken Scott’s world, the result is Delivery Man an underdeveloped, klutzy film that, while full of potential, evaporates quickly amid humorless scenarios and faulty acting from a cast of youngsters who are supposedly adversely…
Produced in collaboration with the National Film Board of Canada, Canadian director Sarah Polley’s documentary Stories We Tell is a tender and often moving inquiry into the life of her mother Diana who died in 1990 from cancer when Sarah was only eleven years old. Her investigation, consisting of interviews with her Toronto family members…
