Altogether, Hostiles is both sprawling and narrow, profoundly tense and equally mellow. That might sound like a film of contradictions — a message too lost in the majestic western landscapes. That’s not quite the case, though. Scott Cooper’s western carries the same slow-burn sensibilities as his 2013 down-home thriller, “Out of the Furnace,” which also,…
“Some people survive and talk about it. Some people survive and go silent. Some people survive and create. Everyone deals with unimaginable pain in their own way, and everyone is entitled to that, without judgement . . . Remember how vast the ocean’s boundaries are. Whilst somewhere the water is calm, in another place in…
If The Post was little more than a piece of agitprop beating the drums for the value of a free press in a democracy, it would more than justify its reason for being. The fact that it is so much more is a testament to the skills of director Steven Spielberg and the talents of…
It should surprise no one: Daniel Day-Lewis shines in Paul Thomas Anderson’s bold and elemental romantic drama, Phantom Thread. The 60-year-old, who’s pledged to leave the silver screen, provides a well-sewn performance in this sendoff. And Anderson, an auteur by nearly any standard, dazzles again with masterful scenery, elegant costumes and a deeper look into…
Since his screenwriting breakthrough with “A Few Good Men,” Aaron Sorkin has crafted himself an illustrious Hollywood career, which includes a nomination for the Best Adapted Screenplay Oscar for “Moneyball” and a win for the same for “The Social Network” as well as earning multiple Emmy awards for his work on the landmark TV series…
The title, GoatSucker, may sound like a disturbingly niche adult movie, but it actually refers to the Puerto Rican myth of El Chupacabra, a bear-like carnivore believed to feed on livestock and humans. Made in 2009, this seminal monster movie is brought to the small screen by Steve Hudgins, who most recently authored the woeful…
The initial success of Brannon Braga and Adam Simon’s series “Salem” (2015-2017) and the staggering impact of Robert Eggers’ “The Witch” seems to have made American Puritans into high fashion for horror entertainment. Director Martin Koolhoven and producer Els Vandevorst had, for several years before the releases of the aforementioned titles, been producing their own…
