Unfriended is the kind of movie that I already can’t wait to watch again in ten years. Better yet–I’d love to watch teenagers ten years from now watch it and see if it makes any sense to them. This is to say, Unfriended is a movie that is violently in the moment, a unique and…
Realizing that she can no longer play the roles she played when she was twenty, the now forty-year-old European actress Maria Enders (Juliette Binoche, “Godzilla”) faces the consequences of the passage of time. Nominated for a Palme d’Or at Cannes in 2014, Olivier Assayas’ (“Something in the Air”) Clouds of Sils Maria explores the life…
“I’ve become so disturbed by younger people. They upset me so much that I’ve closed my doors” – Henrik Ibsen from “The Master Builder” Now 44, childless, arthritic, and stuck in career limbo, Josh Svebnick (Ben Stiller, “The Watch”) has the good sense to realize that life is passing him by. Though Josh and his…
The second film from “The Myth of the American Sleepover” writer/director David Robert Mitchell, It Follows is the deservedly most anticipated horror flick of this spring. Teeming with eerie, ethereal synth music, dark psycho-sexual themes, and references to 1980s horror classics amid a dreary, timeless Detroit landscape, It Follows is a refreshingly subtle, practically gore-less…
I simply don’t care what the overall premise is for Warner Bros.’ upcoming apocalyptic reblend, Mad Max: Fury Road. And after watching this latest trailer, I don’t think the studio cares much either. Front and center is two minutes of what may amount to be some of the craziest desert chase action sequences ever captured…
Pierre Morel certainly knows a thing or two about molding celebrated thespians into B-movie action heroes, having previously kicked off Liam Neeson’s twilight transformation into a growly ass-kicker with the first “Taken” flick, but not everyone can make the transition so smoothly. Sean Penn seems an even unlikelier B-pic headliner than Neeson once was, considering…
The Barber is a B-movie’s B-movie. While many of the tropes those well-acquainted with this type of film have come to know are present, several of them are approached uniquely or service the plot in ways far less tired than the tropes themselves. Truer to form still is the ridiculously overdone ending, another familiar element…
