Jason Blum

Movie Review: Halloween (2018)

In 1978, director John Carpenter made one of the most profitable and influential indie horror films in the history of American cinema, “Halloween.” Some critics argue that it jump-started the slasher genre, although “The Texas Chainsaw Massacre” (1974) and “Ecologia del delitto” (1971) precede it, as well as plenty of Italian giallo flicks and earlier…

Movie Review: Glass (2019)

It would be an understatement to say that I have been merely looking forward to Glass. Its arrival was all I could think about since it was announced after the release of “Split,” a movie that came out three years ago. Having watched “Unbreakable” all those years ago, I felt my mind break a little…

Movie Review: BlacKkKlansman (2018)

In 1915, D. W. Griffith’s film “The Birth of a Nation” was released, en route to becoming one of the most influential and controversial films in cinema history. Griffith’s historical epic created indelible imprints on film content and style, particularly in the areas of racial representation and editing. A century later, Spike Lee’s BlacKkKlansman attempts…

Movie Review: Unfriended: Dark Web (2018)

When I reviewed the first “Unfriended” film in 2015, I described it as a time capsule; an inside joke between its creators and anyone familiar with the technology it uniquely and realistically integrated that would only fully pay off if/when, years later, its original audience watched younger, uninitiated viewers try to understand it outside of…

Movie Review: The First Purge (2018)

“Are you an angry person?” “Who are you angry at?” “Are you ever inclined to hurt someone?” The First Purge begins on Staten Island, where evaluation teams interview prospective participants in a new experiment organized by the New Founding Fathers of America (NFFA), a political party organized as an alternative to the existing system. On…

Movie Review: Truth or Dare (2018)

A common rite of passage for college seniors is their last Spring Break — they get together with friends in a tropical location for sun, drinks, and fun before they graduate and enter “the real world.” Intent on making her final Spring Break worth a little more, Olivia (Lucy Hale, “Scream 4”) has instead signed…

Movie Review: Insidious: The Last Key (2018)

Few franchises have been as financially successful and beloved as the low budget darling that is Leigh Whannell’s “Insidious” franchise. The initial installment, “Insidious” was praised for it’s vintage, minimalist approach and boasted a $97 million dollar box office gross against a $1.5 million dollar budget. It’s balanced execution of claustrophobic cinematography and traditional jump…

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