Todd Black

Movie Review: Ma Rainey’s Black Bottom (2020)

The second of his 12 plays dramatizing the Black experience in America during the twentieth century, August Wilson’s Ma Rainey’s Black Bottom is a haunting and powerful experience that focuses on Gertrude “Ma Rainey” (Viola Davis, “Widows”), known as “The Mother of the Blues,” one of the first popular Black blues singers to gain acceptance…

Movie Review: The Upside (2017)

Besides minor adjustments with its story and certain supporting characters, Neil Burger’s (“Limitless”) The Upside is a fairly faithful remake of the popular 2011 French film “The Intouchables.” Both movies are inspired by the real-life friendship of French aristocrat Philippe Pozzo di Borgo and his Algerian caretaker Abdel Sellou and each highlight their dynamics of…

Movie Review: The Equalizer 2 (2018)

Following up from 2014’s urban actioner, “The Equalizer,” the blood-thirsty avenger/defender out to protect the vulnerable from predatory forces is back in fighting form in The Equalizer 2. Returning as Robert McCall, the former CIA-operative-turned-people-protector, is two-time Academy Award winner Denzel Washington and joining with him is director Antoine Fuqua (who directed the charismatic actor…

Movie Review: Fences (2016)

Two powerful lead performances drive Fences, a tale about a black family living in Pittsburgh during the mid-1950s, that, while the overall experience is mostly negative, the impact is nonetheless a powerful and emotional undertaking. The screenplay is adapted from the 1983 Pulitzer Prize winning play by the late August Wilson, which was revived in…

Movie Review: The Magnificent Seven (2016)

Antoine Fuqua’s The Magnificent Seven is set in a world where even having a drink requires vigilance. The film opens with Bartholomew Bogue’s (Peter Sarsgaard, “Black Mass”) hostile takeover of Rose Creek, a small mining community. This results in the deaths of countless settlers — most notably Matthew Cullen (Matt Bomer, “The Nice Guys”), whose…

Movie Review: Southpaw (2015)

Has the tap finally run dry on boxing movies? It goes without saying that there have been a number of great and enduring contenders in this category with genre clichés modern audiences are instinctively ingrained with, but is there anything else to be expressed within this set-up? If Antoine Fuqua’s Southpaw is any indicator, we…

Movie Review: The Equalizer (2014)

Anyone with a heartbeat knows that when given a particular set of skills and a menacing attitude Denzel Washington knows how to administer street justice. Under the constructive guidance of director Antoine Fuqua (“Olympus Has Fallen,” “Shooter”), he’s given the opportunity to do it again in the pair’s latest project, The Equalizer. As Robert McCall,…

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