Crimson petals. Red rose. Scarlet sheets. Silk shirt. That’s Julieta’s torso, moving with a breath of agony as she packs her stuff. When we finally see her face, we see the evened eyes of long held pain, the kind that leaves deep-carved scars in what seems to be a life-long depression. It would not be…
Indian filmmaker Mira Nair (“Amelia,” “New York, I Love You”) presents a rather uniquely touching, emotional and winning spirit in the coming-of-age biopic/sporting drama Queen of Katwe. Nair concocts an uplifting and personalized story of hope and adversity that should be profoundly inspiring especially for young females from all walks of life that face daily…
Gorgeous colors and graceful poetic images mark The Red Turtle (La tortue rouge), a wordless 80-minute animated film co-produced by the famed Japanese Studio Ghibli and Dutch animator Michael Dudok de Wit. Made in France, the dialogue-free film was produced by Takahata Isao and co-written by French director Pascale Ferran whose 2014 film “Bird People”…
Like last year’s “The 33,” which told of the survival and rescue of a group of Chileans trapped in a gold mine in 2010, Lionsgate’s Deepwater Horizon, produced by and starring Mark Wahlberg (“Ted 2”), along with John Malkovich, Kurt Russell and Kate Hudson, relates the horrifying experience of another true life disaster culled from…
While The Unknown Girl, the latest film by Jean-Pierre and Luc Dardenne (“Two Days, One Night”), is suggestive of social and political issues such as immigration, unemployment, and economic imbalance, its main concern is with moral character, accountability, and spiritual redemption. Like many other films of the Dardenne Brothers, it is simple, natural, and direct,…
It’s difficult to make a comedy these days without it devolving into either juvenile slapstick buffoonery or an ignorant vulgarity-laden vehicle for the nation’s lowest common denominators. It’s especially hard when such a film’s protagonist is so completely devoid of intelligence or even common sense as to be totally unrelatable and unsympathetic throughout. Oh, and…
It’s pitch dark. We see nothing. Only hear hollow voices as routine questions are asked and forms are filled. No context whatsoever. Yet we slowly and silently find ourselves rooting for the individual answering the increasingly absurd questionnaire. That’s when we find ourselves rooted in the character that will be leading the whole film. That’s…
