Mick Jagger and Keith Richards knew each other as children, but the more appealing version of their later meeting on the Dartford Railway opens Not Fade Away. Mick has a stack of vinyl R&B LPs on his lap which Keith takes an active interest in and so began the Rolling Stones. This vignette also launches…
Well, it is nice to see Billy Crystal back on the screen again (the last time being an uncredited role in 2009’s “Tooth Fairy“), but the pretention and lack of very many funny moments in the newest “family comedy” from 20th Century Fox swamps whatever humor is created from Crystal’s fish-out-of-water grandfather character in Parental…
Highly influential, passionately inspired, and awfully long-winded, Quentin Tarantino has amassed a filmography that is soaked in self-indulgence. He’s made some great movies regardless, but I find myself now exhausted by his work, even if at times I’m thrilled and engaged. The experience of watching a Tarantino movie tends to be a scattered one, pieces…
Though director Yaron Zilberman’s first feature A Late Quartet often looks like another episode of “As the World Turns,” or perhaps more apropos, “The Young and the Restless,” its nuanced performances are always dignified and deeply affecting and its look at the discipline it takes to become a successful music group, classical or otherwise, is…
From the page to the stage to the screen, it’s been quite the journey for Les Misérables. Once Victor Hugo’s novel, then Cameron Mackintosh’s stage musical, and now Tom Hooper’s movie, the beloved tale of lives in the gutters of 19th century France hits the big screen in musical form looking, well, almost identical to…
Take some of his more familiar action vehicles (“Minority Report,” “Mission: Impossible – Ghost Protocol,” etc.) and add a dash of Bourne, “The Shooter” and even “JFK,” and you have a Tom Cruise film that, while certainly not his best, is quite effective, entertaining and keeps the suspense simmering until the last bullet has been…
Directed by Anne Fletcher (“The Proposal“), the newest Paramount release The Guilt Trip is a mixed bag — or hodgepodge, if you will — of productions such as “Tommy Boy,” “Broken Flowers” and any number of road pictures made over the last 60 years. That’s not to say it is a bad movie, indeed it…
