The “Merc with a Mouth” aka Deadpool is back from his explosive intro in “Deadpool” with a nice and shiny new (and amazingly not red-band) trailer to Deadpool 2. Along with his 4th wall breaks and general disregard for manners or socially acceptable behavior, his frenemy Cable (Josh Brolin) makes his much hyped appearance in…
At the end of “Maze Runner: The Scorch Trials,” Thomas (Dylan O’Brien, “Deepwater Horizon”) and his friends have finally found solace in the mountains with a resistance group known as the Right Arm. Teresa (Kaya Scodelario, “Pirates of the Caribbean: Dead Men Tell No Tales”) reveals to Thomas she has betrayed them and their newfound…
If The Post was little more than a piece of agitprop beating the drums for the value of a free press in a democracy, it would more than justify its reason for being. The fact that it is so much more is a testament to the skills of director Steven Spielberg and the talents of…
The Greatest Showman is a confusing animal. Its opening frames begin the movie by displaying the familiar and orchestral 20th Century Fox logo used from the 50s through the 80s, implying the audience is in for a reverent throwback to the classic Hollywood musicals of yore. Then — literally six seconds later — the studio’s…
There is a moment early in Kenneth Branagh’s intricately constructed adaptation of Agatha Christie’s classic whodunnit when Hercule Poirot (Branagh) stands on the deck of a ship as it leaves Istanbul. Poirot is captured center frame: The deck, the railing, the adjacent cabin and the sea itself are balanced perfectly around him. The shot is…
The heated romantic passion of Charles Martin’s best-selling romance novel “The Mountain Between Us,” turns lukewarm in its cinematic version of the same name that stars Kate Winslet (“Collateral Beauty”) and Idris Elba (“The Dark Tower”) as a couple of strangers stranded in the frigid high-mountain snow of the Rocky Mountains. Alex Martin (an excellent…
Okay. Alright. Okay. Alright. So. “Kingsman: The Secret Service” was admittedly a surprise hit for most people. I, like many, found that it was an inventive, satirical yet loving take on the spy genre in just the right climate. Much like “Kick-Ass” before, Matthew Vaughn took an imaginative, but ultimately flaccid, concept of Mark Millar’s…
