When a pug is named after Jack Bauer, Colin Firth shoots stun rays through an umbrella and Samuel L. Jackson talks with an ear-piercing lisp while trying to wipe out the human race with disruptive waves sent from cellphones . . . well, it’s rather obvious you are dealing with a different kind of movie….
A good comic book property can’t sit idle for long, nor should it. Having waited an eternity (eight years) 20th Century Fox is finally poised to forget about 2007’s “Fantastic Four: Rise of the Silver Surfer” and reboot their family of superheroes with The Fantastic Four. Unfortunately, much of it appears to be an origin…
Ridley Scott’s Exodus: Gods and Kings may be light on characterization and depth, but it is abundant in atmosphere and scene-to-scene, gripping drama. It’s biblical by nature, and although it does not delve as far as some would like into the lives of Moses or Ramses II, it is well-intentioned, thought-provoking and flashy. The CGI,…
With now three adaptations of trashy page-turners under his belt, all of which have averaged out to pretty spotty final products, David Fincher seems to have his heart dead set on joining the cinematic pantheon of alchemists such as Brian De Palma and Stanley Kubrick who have successfully transformed lead into gold. However, the proper…
The stories in the Bible are some of the best to bring to life on screen and Ridley Scott knows a thing or two about breathing life into pictures of epic proportions. The two meet in 20th Century Fox’s upcoming drama, Exodus: Gods and Kings. It starts as a personal tale involving the division of…
It’s no secret that the phenomenon commonly referred to as “young adult” has taken over the movies, and it’s also no secret that the girls are kicking butt and taking names in the genre’s linchpin franchises like “Divergent” and “The Hunger Games.” Well, ladies, the boys are back front and center in The Maze Runner,…
As head ape Caesar stands atop the rubble of a symbolic tower toppled moments before in a last ditch attempt by fearful humans to wipe out his kind, human benefactor Malcolm (Jason Clarke) confronts him in a fruitless bid to stop further fighting saying, “War isn’t what [he] want[s].” Mournfully, Caesar looks upon him and…
