Paramount Pictures

Movie Review: The Trial of the Chicago 7 (2020)

The Democratic National Convention met in Chicago in August 1968 to choose their presidential candidate in a tumultuous year that saw the assassinations of Martin Luther King and Robert Kennedy, the passage of the Civil Rights Act, Prague Spring, and growing protests in cities around the world against the escalation of the Vietnam War. Although…

Movie Review: Terminator: Dark Fate (2019)

Here we go again. This is a phrase that can be uttered (silently, out of respect to fellow viewers) to many aspects of Terminator: Dark Fate. Sometimes it may be uttered with glee, other times with impatience or even exasperation. On the one hand, it demonstrates the continued appeal of James Cameron’s original creation. On…

Movie Review: Crawl (2019)

In a world where most modern monster horror/thriller hybrids are regulated to Netflix or the SyFy channel, its interesting to see a monster flick about wild alligators terrorizing people during a hurricane has managed to work it’s way into theaters instead of one of the countless streaming sites or a dusty corner on basic cable….

Movie Review: Rocketman (2019)

The most dramatic sequences of 2018’s Best Picture, “Green Book,” involved the piano playing of Doctor Don Shirley. In another recent awards winner, “Bohemian Rhapsody,” the recreations of Freddy Mercury’s performances proved to be a high point. These sequences, well-rendered by directors Peter Farrelly and Bryan Singer, respectively, are put into the shade of the…

Movie Trailer: Terminator: Dark Fate (2019)

Not to let a powerful property die, Paramount Pictures brings the first tease to Terminator: Dark Fate, a sequel that follows directly after “Terminator 2: Judgment Day.” Details are scarce, but Linda Hamilton returns as Sarah Connor to face off against an even deadlier series of liquid-metal Terminator that appears to have the ability to…

Movie Review: Nobody’s Fool (2018)

Entertainment guru Tyler Perry plants his fingertips on yet another toothless comedic concoction that has more cockeyed misfires than Madea’s gun rack display. In Perry’s latest baseless romantic comedy Nobody’s Fool, more of the same formula applies; tiresome stereotypes accompanied by forced melodrama and transparent seeds of recycled zaniness. Clearly, it has been a reliable…

Movie Review: Overlord (2018)

Let’s get this out of the way immediately. Overlord isn’t another “Cloverfield” film. Not even a secret one. No twist in the third act, no Easter eggs, no post-credits scene. Much as I like the whole “Twilight Zone” mystery box thing the franchise has going for it, “The Cloverfield Paradox” was a major fumble and…

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