Paramount Pictures

Movie Review: Nobody’s Fool (2018)

Entertainment guru Tyler Perry plants his fingertips on yet another toothless comedic concoction that has more cockeyed misfires than Madea’s gun rack display. In Perry’s latest baseless romantic comedy Nobody’s Fool, more of the same formula applies; tiresome stereotypes accompanied by forced melodrama and transparent seeds of recycled zaniness. Clearly, it has been a reliable…

Movie Review: Overlord (2018)

Let’s get this out of the way immediately. Overlord isn’t another “Cloverfield” film. Not even a secret one. No twist in the third act, no Easter eggs, no post-credits scene. Much as I like the whole “Twilight Zone” mystery box thing the franchise has going for it, “The Cloverfield Paradox” was a major fumble and…

Movie Review: Book Club (2018)

They say that reading is fundamental, but the romantic goings-on in the mature rom-com Book Club should be more of a page-turner especially when it involves some of Hollywood’s all-time seasoned and decorated actresses. In a way it is quite refreshing (and rare) to encounter an unconventional romantic comedy catering to senior citizens as the…

Movie Review: Mission: Impossible – Fallout (2018)

If the “Mission Impossible” film series hadn’t solidified itself as one of the most thrilling action franchises to date, it surely has subscribed to the title after its latest installment, Mission: Impossible – Fallout. The sixth installment to the franchise tracks the return of the battle-tested and highly qualified IMF agent Ethan Hunt (Tom Cruise,…

Movie Review: A Quiet Place (2018)

“Who are we if we can’t protect them?” Evelyn Abbott (Emily Blunt, “The Girl on the Train”) asks her husband Lee (John Krasinski, “13 Hours: The Secret Soldiers of Benghazi”) in one of the only scenes in A Quiet Place in which dialogue can even be heard. The “them” Evelyn is referring to are her…

Movie Review: Annihilation (2018)

Alex Garland’s Annihilation is a complex puzzle, mixing the extraterrestrial with the most microbial elements of humanity. Its characterization is strong throughout — as its themes are mirrored in its leading lady — but its most promising components come in the form of visual metaphors. They’re scattered strategically throughout the 115-minute science fiction thinker. Where…

Movie Review: The Cloverfield Paradox (2018)

Anthologies are a kind of a risk/reward endeavor. It’s a great way to keep a series fresh and innovative, especially as age goes against it, but iconography can often ruin those kind of plans. Remember when “Halloween” was supposed to be an anthology series? Not only did “Halloween” become too popular for its own good,…

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