Although Expecting is advertised as a comedy drama, it’s undeniably much more of a drama, with the occasional laugh thrown in. This format is not necessarily problematic within itself, but when it comes packaged in such a joyful poster, it invariably comes as a bit of a curve ball to suddenly be faced with so…
What’s a classic love story without some stars crossing overhead? What’s a romantic comedy without family members getting in the way and embarrassing both themselves and the lovers in question? What can a potential bride do when her father insists on more tradition than she’s comfortable with? How can a penniless suitor earn that father’s…
Many of William Shakespeare’s heroines are proud and witty women who are reluctant to be wooed; for example, Rosaline of Love’s Labor’s Lost, and Rosalind of As You Like It. One of the most high-spirited characters in Shakespeare is Beatrice, the niece of Leonato in Much Ado About Nothing, a sharp-tongued woman who more than…
Israeli director Rama Burshtein’s powerfully moving Fill the Void (original title, “Lemale et ha’halal”), Israel’s submission to the 2012 Oscars, is about love and marriage but, in the Orthodox Hasidic community in Tel Aviv, they do not necessarily go together like a horse and carriage. Hadas Yaron, winner of the Best Actress Award at the…
If, as the famous line from “Love Story” says, “Love means never having to say you’re sorry,” then Alex (Gael García Bernal) and Nica (Hani Furstenberg), a young couple engaged to be married in a few months, are on the right track. Summer vacationing in the Caucasus Mountains in the Republic of Georgia, Julia Loktev’s…
With Rose Byrne cast yet again in the role of uptight pretty girl and a premise involving marriage, audiences could be forgiven for thinking that writer/director Dan Mazer’s new film, I Give It a Year, was going to be another “Bridesmaids”-like comedy. Alas it is not (sadly), it’s more of a Frankenstein of genres —…
In Michael Haneke’s Amour, Palme d’Or winner at the 2012 Cannes Film Festival, Georges (Jean-Louis Trintignant) watches over his loved one, Anne (Emmanuelle Riva), as she gradually loses control of the precious attributes of body and mind after a series of strokes. In his usual austere style, Haneke avoids sentimentality and even outward displays of…
