If cinematic quirkiness exists on a spectrum that ranges from charming to obnoxiously grating, then surely try-hard rom-com 3rd Street Blackout is pushing towards the latter end. Every character in the movie speaks and acts as though they know they’re in a quirky indie flick, but there’s no meta subtext at work as a result….
Nostalgically, the baby-boomer generation that had grown up with two-time Oscar winning actress Sally Field (“Norma Rae,” “Places in the Heart”) will identify and sympathize with her quirky turn as the sixty-something working stiff Doris Miller trying to fit into a youth-oriented world while pursuing love and companionship in co-writer/co-producer/director Michael Showalter’s ambitious but uneven…
It’s taken 30 years for the ghosts in Manhattan to regroup enough to be a concern so large that some had to call for the Ghostbusters again. Venkman, Spengler and Stantz have long since retired (although I’m sure they’ll make a surprise visit) so in this updated Ghostbusters, four women have accepted the call to…
Some romantic comedies can be conventional in nature and not really want to invest in anything substantive beyond the familiar follow-the-dots formula of lightweight lunacy. In director Christian Ditter’s romantic romp How to be Single the gloves come off and are thrown in an entirely different direction. Sure, one can applaud Ditter for not hanging any…
Based on a short story by Katha Pollit, a columnist for the Nation magazine, Learning to Drive is a small movie with a big heart. While the film is risk averse and will not be mistaken for a timeless work of art, its story of two middle-aged people of vastly different backgrounds assisting each other…
Times are tough. These times I mean. Or rather, Tim Blake Nelson does, or seems to do in his Anesthesia. These are times of self-absorbing, self-imbibing, self-obsessed selfishness from which we’re constantly trying to tell ourselves apart — unwittingly remitting ourselves to the badlands of choice wherein our decisions continue to be ruled by self-interest…
“Art thou pale for weariness of climbing heaven and gazing on Earth, wandering companionless?” — Percy Bysshe Shelley, “To The Moon” A film about loss, loneliness, and love, Todd Haynes’ (“I’m Not There”) Carol is the story of Therese Belivet (Rooney Mara, “The Girl with the Dragon Tattoo”), a nineteen year-old salesgirl whose chance encounter…
