Claire McCarthy’s Ophelia opens with the titular character telling, via voice-over, that she feels it is time that we hear her narrative told from her perspective. This is a promising notion. Many of Shakespeare’s supporting women warrant narratives on their own, and the veracious success that was 2016’s “Lady Macbeth” proves just how potent they…
In Una, the powerful screen adaptation of David Harrower’s play “Blackbird” about the sexual abuse of a thirteen-year-old girl, Australian director Benedict Andrews does what has become increasingly uncommon in modern cinema — he makes us think. While it may be uncomfortable to look outside of the reassuring categories of victim and victimizer, Andrews asks…
Two powerful lead performances drive Fences, a tale about a black family living in Pittsburgh during the mid-1950s, that, while the overall experience is mostly negative, the impact is nonetheless a powerful and emotional undertaking. The screenplay is adapted from the 1983 Pulitzer Prize winning play by the late August Wilson, which was revived in…
Writer-director Barry Jenkins (“Medicine for Melancholy”) delves into a power-driven coming-of-age drama detailing the tremendous angst-ridden existence of an impoverished Miami-based gay black youth struggling with self-identity and self-worth in the unflinching and revealing drama Moonlight. Convincingly raw and roughly poignant, Moonlight pushes some psychologically and emotionally charged buttons in a gritty and unforgettable narrative…
Xavier Dolan opens It’s Only the End of the World with the caption: “Somewhere a while ago, already.” The comma is extremely important, as it plays with the past tense of a while ago and the present tense of the already, almost as a physical presence, already there. It was a while ago since I…
Shakespeare is synonymous with adaptation. His work has produced mutations that continue to adapt to the most dissimilar environments. The bard has shown in the last four hundred years that no matter the medium, the channel, the period, the era, the genre, the generation, the technology, his work keeps fitting all conditions, even the most…
Director Nicholas Hytner (“The History Boys”) serves up a poignant portrait of a disillusioned elderly British bag lady marching to the beat of her own distinctive drum in the uplifting and quirky dramedy The Lady in the Van. Hytner’s touching and slightly offbeat character study is certainly a triumphant turn for revered veteran actress Dame…
