Oh boy. There’s nothing quite as middling or eyebrow-raising as a belated sequel, is there? 2003’s “Bad Santa” was a morbid, distasteful, apathetic middle-finger to more warm and fuzzy, politically correct holiday ventures and I absolutely love it. Upon hearing that a sequel was finally coming I was excited, although I knew it could fall…
It’s difficult to make a comedy these days without it devolving into either juvenile slapstick buffoonery or an ignorant vulgarity-laden vehicle for the nation’s lowest common denominators. It’s especially hard when such a film’s protagonist is so completely devoid of intelligence or even common sense as to be totally unrelatable and unsympathetic throughout. Oh, and…
As I have written before regarding movies of this ilk, the trick to any decent film featuring magic, or an element thereof, is to walk a tightrope between being just a bit smarter than the audience (or at least SOME members of it) and not being too accessible as to reveal too much to them….
Clumsy action thriller Momentum may as well be retitled “Further Proof That Morgan Freeman Will Star in Anything.” The towering talent who has played everyone from Robin Hood’s sidekick to God is cinematically ubiquitous and yet has long since remained respectable while slipping deeper into embarrassing paycheck territory. One has to think that the reason…
It’s more than a little strange to get suddenly swept up in the events of a series for the first time while watching the seventh installment, but that’s what happened with Furious 7, a gloriously bonkers and awesomely ambitious entry in a franchise that previously always seemed to come up a bit short. It’s clear…
When distilled down to its basest elements, con drama Focus is a light and airy attempt to hearken back to the days of movie star vehicles that require nothing more than mega movie star wattage and a smooth smile to keep their exploits afloat. Even when viewed at surface level, there’s nothing more to the…
The Girl on the Roof, Skeet Ulrich’s directorial debut, is perhaps better when viewed as such than as a short film overall. Telling the dark story of a young girl, Lila (Naiia Ulrich), who receives only negative attention from bullies at school and hardly any attention from her family at home, which consists of a…
