Tagged vancouver international film festival

Movie Review: Son of Saul (2015)

While no movie can fully capture the madness of what life in a concentration camp must have been like, László Nemes’ Cannes Grand Prize Award winning Son of Saul, his first feature film, may come close to recreating the experience. Written by the director and Clara Royer and shot in 35mm with a 4:3 aspect…

Movie Review: The Assassin (2015)

Winner of the Best Director Award at the Cannes Film Festival, Hou Hsiao-hsien’s (“Flight of the Red Balloon”) first film in eight years, The Assassin (Nie yin niang), may initially seem out of character for a director whose previous work has been in realistic social dramas set in a contemporary historical context. Yet it is…

Movie Review: Embrace of the Serpent (2015)

For 350 years, Spain built a vast empire in South America based on the labor and exploitation of the Indian population, forcing them to accept Christianity while decimating their culture, religion, and even their language. In the late 19th and early 20th Centuries, “rubber barons” rounded up all the Indians and forced them to tap…

Movie Review: Sleeping Giant (2015)

There are more coming-of-age films than masterpieces in the Louvre, but there are only a handful of them that have stood the test of time, even though teen-speak changes over the years. First-time Canadian director Andrew Cividino’s Sleeping Giant, an update of the short that won the youth jury prize at Locarno International Film Festival…

Movie Review: The Last Hammer Blow (2014)

“Life can be tragic, but let’s not snivel” — Gustav Mahler Alix Delaporte’s (“Angel & Tony”) The Last Hammer Blow (Le dernier coup de marteau) is the story of 14-year Victor (Romain Paul, in an outstanding debut performance that earned him the Marcello Mastroianni Award for Best Young Actor at the Venice Film Festival) who…

Movie Review: 45 Years (2015)

William Shakespeare wrote (Sonnet 116), “Love is not love which alters when it alteration finds, or bends with the remover to remove: O, no! It is an ever-fixed mark that looks on tempests and is never shaken.” Though Shakespeare would not admit impediments to the marriage of true minds, Kate and Geoff Mercer in Andrew…

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