Melissa McCarthy and Ben Falcone are back, six months after the release of their last (and worst) film, “Superintelligence.” Their latest work, Thunder Force, is a superhero comedy telling the story of best friends Lydia (McCarthy, “Can You Ever Forgive Me?”) and Emily (Octavia Spencer, “The Shape of Water”), who become the superhero duo known…
When looking at Lydia Dean Pilcher and Ginny Mohler’s Radium Girls, it’s easy to be stuck at a cinematic fork in the road. The film features a cast of delightful up and comers (including Joey King of “The Act”) and is inspired by a true story filled with relevant energy. Yet when examining the final…
“And you will look with open eyes, And see the world clear, And when your crying is dried up, Then you will feel your heart, And know a new and deeper love” — Alexi Murdoch There are no men in Céline Sciamma’s (“Girlhood”) Portrait of a Lady on Fire (Portrait de la jeune fille en…
Gone are the days of 1970s-style “Jiggle TV” . . . you know, that endearing media term reserved for the boob-tube, pop-cultural guilty pleasure that the late mega-television producer Aaron Spelling eagerly supplied to prime time viewers? With it, the ABC network struck a goldmine with the curvy, cops-turned-private investigators from the Townsend Agency in…
“For a long time after the war I was afraid of the sky, even of raising my head towards the sky. I was afraid of seeing plowed-up earth. But the rooks already walked calmly over it. The birds quickly forgot the war” — Svetlana Alexievich, “The Unwomanly Face of War” During World War II, the…
I’m not totally sure if A Vigilante — the feature debut from writer-director Sarah Daggar-Nickson — is meant to be soaked up as entertainment so much as a reconciliation between movies-as-art and movies-as-therapy. The small-scale story is interested in a single dominating issue, that of domestic violence, though in ways that feels inconsistently intentioned, despite…
Interestingly, it is the audience who seems to be the ones getting hustled in director Chris Addison’s forgettable feminine con-artist comedy, The Hustle. In it, Oscar winner Anne Hathaway (“Les Misérables”) and funny fireball Rebel Wilson (“Isn’t It Romantic”) are paired as a couple of cute scammers looking to manipulate the finances out of clueless…
