Articles by Aaron Leggo

The Critical Movie Critics

You and I both know the truth. You just don't admit it.


Movie Review: Graffiti (2015)

The end of the world is a lonely proposition in Lluís Quílez’s grim 30-minute short Graffiti, about a single survivor in a post-apocalyptic city who wanders around the shell of an empty apartment complex with his dog in search of food, people, anything. Edgar (Oriol Pla, “Year of Grace”) doesn’t have a lot to live…

Movie Review: La La Land (2016)

With a cut and a kick and an upbeat note, Damien Chazelle sure paints a pretty picture of classic Hollywood musical nostalgia, but La La Land is more plastic pastiche than poignant portrait. It’s a technical marvel that’s dramatically weightless, a boldly bravura effort from writer/director Damien Chazelle and his crew that’s also too cutesy…

Movie Review: Where the Woods End (2016)

Two bad decisions irrevocably alter the lives of two families when a pair of police officers pull over a suspicious vehicle on a forest road in Felix Ahrens’ taut, tense, terrific short Where the Woods End. What first seems simple shatters into several jagged pieces of moral complexity, all because the driver of the pulled-over…

Movie Review: Running Eagle (2016)

It’s an uncomfortably heavy 13-minute stretch that Konrad Tho Fiedler fills in Running Eagle to tell the brief, though highly evocative tale of a young Native American woman (Devery Jacobs, “Rhymes for Young Ghouls”) struggling to get back home across a frozen wasteland after fleeing a life of forced prostitution. The narrative is split between…

Movie Review: Dunroamin (2016)

Short films can achieve many things in their compact running time, but the teasing out of a character-driven mystery is surely one of their most intriguing aims. Oliver S. Milburn’s tight little real estate drama Dunroamin is seemingly about nothing more than a young man touring a nice country house that is up for sale,…

Movie Review: Ophelia (2016)

The nervous hell of a new job interview is satirized, then sentimentalized, then psychologized in writer/director Anthony Garland’s tonally scattered short Ophelia. The titular character (played with fair restraint by Ali Mueller, “Category 5”) arrives on time in fancy business attire and has only a moment to size up her competition before being called in…

Movie Review: Pete’s Dragon (2016)

“Original” would seem the last word one should use to describe a current kids’ movie about the friendship between a boy and his dragon that is both a remake and a sort of “E.T.” clone, but it is what it is. As Disney is knee-deep in pillaging their catalog of classics for profits, they’ve managed…

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