Articles by Aaron Leggo

The Critical Movie Critics

You and I both know the truth. You just don't admit it.


Movie Review: Adrift (2018)

The resiliency of the human spirit is pummeled by a squall of sentimentality in Baltasar Kormákur’s based-on-a-true-story survival drama Adrift, which long vacillates between prettily photographed seafaring and soggy backstory. The movie opens thrillingly in the chaotic aftermath of a storm that has left a luxurious sailboat in ruins and protagonist Tami (Shailene Woodley, “Allegiant”)…

Movie Review: Izzy Gets the F*ck Across Town (2017)

Mackenzie Davis (“Tully”) is currently in that sweet spot where she can do no wrong. She’s a highlight of every movie she appears in and continues to be a lively, engaging presence. Her starring role in the sketchy indie comedy Izzy Gets the F*ck Across Town is no exception. Without Davis, the movie would quickly…

Movie Review: Wonder Wheel (2017)

Despite the way Wonder Wheel crashed and burned during the awards season, I figured it had potential due to it being a Woody Allen production. Although Woody’s a crapshoot for me these days, I never put much faith in the critical consensus around his recent movies (plus this one is about 1950’s Coney Island as…

Movie Review: Haven (2017)

Slice-of-life drama is rarely cut so narrowly as it is in Kelly Fyffe-Marshall’s quietly devastating short Haven, about a mother (Tika Simone) and daughter (D’Evina Chatrie) wiling away the hours until a dark secret is suddenly unearthed. This isn’t even a slice; it’s a sliver. The short clocks in at approximately four minutes in total…

Movie Review: Tully (2018)

Each time that screenwriter Diablo Cody and director Jason Reitman team up, they create a singular female character that walks onscreen feeling fully formed and armed with lots to say. First it was Ellen Page’s precocious pregnant teen in “Juno,” then it was Charlize Theron’s perpetually perturbed author Mavis Gary in “Young Adult,” and now…

Movie Review: Unsane (2018)

Steven Soderbergh’s reputation as an iconic filmmaker who has retired and unretired multiple times seems contradictory when watching one of his new movies, not merely because the movie exists, but also because his work feels like the product of someone who is always moving, always trying, always doing. Much of his focus in the past…

Movie Review: Tomb Raider (2018)

Video game movies have sucked for decades, so when a kind of good one comes along, it arrives with the benefit of basement-dwelling expectations. This could be the explanation for why Roar Uthaug’s lean, lithe reboot Tomb Raider is so clearly silly and yet strangely satisfying at the same time. Or perhaps the movie works…

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