Red Dog is a real charmer of an Aussie movie. Directed by Kriv Stenders, the film is based on the true story of a Kelpie who won the hearts of Western Australia during the ’70s. With its myriad of heart and soul, the movie is a heart-warming, endearing, humorous and affecting portrayal of a mining [...]

Contrary to most, this reviewer is an enormous Mel Gibson apologist, and it’s tragic that every nuance of his private life has been broadcast to the oversensitive public who subsequently judge the man on isolated incidents without knowing the proper context. With his personal demons under the scrutiny of the public eye, the star is [...]

The Guard can probably be described as “Lethal Weapon” meets Quentin Tarantino by way of “In Bruges.” However, it does not feel like a derivative motion picture or a slapdash mash-up. Instead, this is a hilarious, well-written and satisfyingly tongue-in-cheek dark comedy which possesses its own unique identity. Written and directed by John Michael McDonagh [...]

Ong Bak 3 picks up exactly where its immediate predecessor ended. But can anyone actually recall the events of 2008’s disappointing Ong Bak 2: The Beginning? It was a dour mess; a confused jumble of leaden action scenes, montages and flashbacks without a modicum of comprehensible storytelling. Ong Bak 3 continues the decline in quality [...]

It’s doubtful that any Christmas stories are as omnipresent as Charles Dickens’ “A Christmas Carol.” Since cinema’s very inception, there have been tons of motion picture adaptations of this 1843 novella, as well as spoofs and updated variations (the Muppets, Mickey Mouse and even Mr. Magoo have all tackled this Yuletide morality tale). In addition, [...]

For Tony Jaa, 2003’s Ong-bak was essentially his debutante ball, as it introduced the nimble performer and his phenomenal fighting skills to worldwide movie-goers. Wirework and digital effects are the norm in this day and age, but Jaa is the real deal: He actually performs death-defying stunts and leaps, and actually lands brutal aerial blows [...]

The primary creative force behind Lady Magdalene’s, J. Neil Schulman, may be somewhat of a successful novelist, but he cannot in good conscience add filmmaking to his list of credentials. While Schulman wants you to believe that Lady Magdalene’s is a smart action-comedy satirizing today’s post-9/11 climate, the resulting picture is actually an agonizing catastrophe; [...]

Making a genuinely good, original Christmas movie is a difficult task in this day and age. Added to this, after Fred Claus, The Polar Express, The Santa Clause and other such motion pictures, it seems impossible to put another fresh spin on Santa Claus and his North Pole universe. Enter the British animation studio Aardman, [...]

Let’s get this out of the way first: Black Death is by no means an enjoyable movie due to its bleak and unflinching depiction of the 14th Century. Be that as it may, it is a riveting, dramatic horror picture that’s as brilliant as it is challenging. Coming from director Christopher Smith (Severance, Triangle), Black [...]

Former WWE wrestler Steve Austin, it seems, has become the new luminary of straight-to-video action films. Arriving after Damage, The Stranger, Hunt to Kill and Knockout, 2011’s Tactical Force was made by newcomer writer-director Adamo P. Cultraro, and his inexperience shows. A high-gloss action-thriller, Tactical Force solely aimed to provide some brainless thrills, but it [...]

A “found footage” mockumentary, Lake Mungo is not a typical horror movie in the vein of The Blair Witch Project or The Exorcist. Instead of a schlocky series of cheap scares, freshman writer-director Joel Anderson has crafted a low-key supernatural drama which examines the emotional repercussions of a family dealing with grief. With that said [...]

2005’s low-budget, halfway-charming Hoodwinked! developed into a minor hit despite its humble origins, but does anyone out there honestly remember it? More pertinently, who genuinely wanted to see a sequel? Limping into cinemas almost six years after its predecessor, Hoodwinked Too! Hood vs. Evil is easily one of the worst animated movies ever made to [...]

Just as slasher films were done to death in the ’80s and ’90s, the “found footage” subgenre (made popular by 1999’s The Blair Witch Project) is now being exploited to the point of becoming tired. After films like Cloverfield, [Rec], Quarantine, The Last Exorcism, Diary of the Dead and countless other films, it’s becoming increasingly [...]

Based on the nonfiction book “To Kill the Irishman: The War That Crippled the Mafia” by Rick Porrello, Kill the Irishman is a compelling walk through Cleveland’s criminal underbelly during the 1970s and an informative look at a man who brought down the hammer on the mafia’s golden age. To seasoned consumers of gangster movies, [...]

Somewhat competent yet unremarkable, Assassination Games is another low-budget action-thriller of the well-worn hitman subgenre variety. The big draw of this otherwise undistinguished action fare is that it stars aging action icon Jean-Claude Van Damme and rising star Scott Adkins, both of whom are incredible fighters both on and off the screen. However, while Assassination [...]

Out of all the unlikely sequels to materialize over recent years, Johnny English Reborn would have to be the most unexpected. While 2003′s Johnny English enjoyed a healthy run at the box office, it endured a harsh reception from both critics and audiences, and sequel prospects were never really discussed. Arriving eight years after its [...]

Similar to what Paul Greengrass accomplished with 2010′s Green Zone, 5 Days of War represents a merger of fact and fiction; weaving facets of the 2008 Russo-Georgian war into a predominantly fictional story about journalists caught in the crossfire. Finnish director Renny Harlin (Die Hard 2, Cliffhanger) took the director’s chair here, and attempted to [...]

Written and directed by David Michôd (making his feature-length debut), Animal Kingdom persuasively demonstrates that plenty of life still remains in the contemporary Australian film industry. Fundamentally the Australian Goodfellas in the suburbs of Melbourne, it ostensibly looks as if Animal Kingdom was specifically produced to capitalize on the recent success of the acclaimed TV [...]

They say war is hell, and this age-old cliché has been exemplified in pretty much every war picture to date. 2008′s Outpost is a film which literalizes this adage, incorporating the horrors of war into a traditional horror picture. Every now and again, a small-time, low-budget horror film comes out of nowhere to catch genre [...]

The umpteenth Adam Sandler comedy to be directed by Dennis Dugan, 2011′s Just Go with It is a semi-remake of the 1969 screwball comedy Cactus Flower, which was based on a 1965 Broadway production that itself was adapted from a French play. Now that’s a mouthful. Despite all this, Just Go with It more overtly [...]

Actor-come-filmmaker David Schwimmer’s sophomore theatrical effort as a director, 2010′s Trust deals with sensitive, challenging subject matter that most directors would refuse to touch with a 20-foot pole. Armed with a timely significance and a relevant message pertaining to the dangers of the World Wide Web, this is a powerful and provocative independent drama with [...]

The last time that former visual effects technician Scott Charles Stewart directed Paul Bettany in a motion picture, the result was 2010′s quite literally God-awful Legion. Loosely based on the South Korean comic series of the same name, 2011′s Priest is an improvement over Legion . . . but not by much. As befitting of [...]

It’s surprising that The Roommate wasn’t entitled Single White Female: The College Years, since this flick is pretty much just a Single White Female redux for which the filmmakers trimmed a few years off the cast and, just to be safe, also trimmed down characterizations, logic, etc. Simply put, The Roommate is unbearable and uncreative, [...]

Filmmakers Carlo Ledesma, Enzo Tedeschi & Julian Harvey clearly took heed of the philosophies and techniques of renowned scare-meister Alfred Hitchcock for 2011′s The Tunnel, namely his mantra that less is more: It is not always what you see that scares you, but what you imagine. A low-budget horror pic filmed in 14 days and [...]

A late-2010 picture delivered by the DreamWorks animation factory, Megamind can best be described as Pixar’s The Incredibles meets Despicable Me. See, Megamind is a clever dissection of superhero movie conventions which functions as a character study of the supervillain. In the realm of superhero movies, there is always one given: The hero always wins. [...]

“Vintage Woody Allen” would be the most appropriate label for 2009′s Whatever Works, because that’s never been truer. Woody initially wrote this film back in 1977 as a vehicle for Zero Mostel, but the screenplay was set aside when Mostel inconsiderably died before the film could be made. However when Woody’s one-movie-a-year output was placed [...]

To begin this review, let’s get one thing straight: despite the misleading name, Titanic II is not an official sequel to James Cameron’s big-budget retelling of the Titanic disaster. Nevertheless, a film entitled Titanic II is sure to seem like a bad joke, even after watching the official trailer or spying the DVD cover at [...]

Street Fighter: The Legend of Chun-Li is not only a compelling contender for the worst film of 2009, but it’s also a contender for the worst film of all time! This second attempt at a screen adaptation of the revered Capcom video game series is unbelievably awful in every aspect. Generic action sequences, atrocious acting, [...]

The concept of an Australian comedy featuring the once-in-a-lifetime pairing-up of Paul “Crocodile Dundee” Hogan and Shane “Kenny” Jacobson would appear foolproof. And while this movie doesn’t live up to all of its potential, Charlie & Boots (the sophomore effort of director Dean Murphy, who previously collaborated with Paul Hogan for 2004′s Strange Bedfellows) is [...]

Consisting of five main volumes and three supplemental books, Rick Riordan’s popular Percy Jackson series must have been an easy sell for any studio. It contains heroes, villains, monsters, wish fulfilment, and epic feats of magic and courage while also tackling popular Greek mythology. Topping this off, the whole package is reminiscent of Harry Potter. [...]

While the title of From Paris with Love may imply that it’s a romantic comedy featuring the Eiffel Tower, the title is in fact a James Bond homage, and the production is a hardcore, no-holds-barred action flick which arrives courtesy of Luc Besson’s production factory. For those unaware, Besson is the French filmmaker who produces [...]

Romance sells at the box office. Stephanie Meyer (the Twilight saga) knows this, Nicholas Sparks (The Notebook) knows it, and all of Hollywood knows it. 2010′s Dear John is exactly the type of romantic tearjerker to be expected from an adaptation of a Nicholas Sparks novel, and it’s awful. Look, I admit that this film [...]

Remember Judd Apatow’s 2009 project, Funny People? While a lousy and flat film, it at one stage cleverly poked fun at actors who have long renounced their dignity for the sake of a paycheck. Tooth Fairy is exactly the type of noxious family entertainment parodied in Apatow’s flick. It mixes a few recognizable faces with [...]

The “big dreams, small town, no chance” premise is a recognizable refrain in literature and motion pictures. Directed by Ricky Gervais and Stephen Merchant, 2010′s Cemetery Junction is yet another feature to examine this particular quandary. If Gervais and Merchant sound familiar, it’s because they are the dynamic duo responsible for the original British version [...]

Suffice it to say, expectations play a sizeable role in any viewer’s enjoyment of a film. In the case of 2009′s Ninja, it would be impossible to watch the flick with high expectations — the cover of the DVD/Blu-ray is admittedly nifty enough to gain some attention, but it is nonetheless a low-budget direct-to-DVD ninja [...]

Over recent years, the film noir genre has largely served as a reference point for filmmakers, who dress up their movies with snappy dialogue and/or complex, violent stories but neglect the genre’s bleakness. In this modern era, the Coen Brothers are often credited as the life support system for classic noir, but the Coens appear [...]

In 2010, Clint Eastwood reached the ripe old age of 80, yet the prolific filmmaker still unabatedly continues to make motion pictures on a regular basis; accumulating a cinematic oeuvre that is as diverse as it is excellent. Written by Peter Morgan (The Queen, Frost/Nixon), 2010′s Hereafter is a supernatural drama which re-teams Eastwood with [...]

Uwe Boll (which is German for “Appalling Filmmaker”) has made a living over recent years (and has angered a great deal of people) by transforming beloved video game properties into epically awful movies. As a result, the cultural landscape has become tragically cluttered with unwatchable motion pictures such as House of the Dead, BloodRayne, Alone [...]

If you’re familiar with low-budget horror flicks and/or video-game-to-movie adaptations, chances are you’ve heard of Uwe Boll. Even if you’re not familiar with Boll’s cinematic output, you’ve more than likely heard opinions on the guy’s work, and, in all likelihood, those opinions have not exactly been complimentary. If Boll’s work and name is a mystery [...]

In motion pictures, it’s a widespread belief that children are the embodiment of pure evil. Perhaps not all kids are the spawn of Satan, but horror filmmakers realize that evil disguised behind the eyes of a seemingly innocent child is an effective way of amplifying the scare factor. Into this genre now steps 2009′s Orphan. [...]

Most of those who came into contact with the 2008 Swedish masterpiece Let the Right One In were immediately captivated and hypnotized by its brilliance, especially in the wake of the insipid Twilight phenomenon. It committed an unforgivable sin, though: It was foreign and subtitle-laden, meaning the movie never existed in Hollywood’s eyes. Thus, now [...]

Even for a consistently-reliable studio like Pixar, the notion of Toy Story 3 seemed risky due to the time-honored tradition of part threes being unnecessary and below-par. The Godfather: Part III, Lethal Weapon 3, Batman Forever, Terminator 3: Rise of the Machines, Alien 3, Jurassic Park III and Superman III are a few examples of [...]

The premise behind 2010′s Furry Vengeance — a live-action cartoon featuring woodland mammals — is tolerable. However, the film is rendered insufferable due to its soulless, mean-spirited, moronic script, the repetitive, obnoxiously unfunny slapstick comedy, and the ill-conceived attempts to inject this cinematic stool sample with an environmental message. It is a film with no [...]

One must admit, it takes serious guts to entitle a film The Losers, since lame jokes are just begging to be cracked. Already, the critics who panned this appalling motion picture have utilized the obvious, “The losers are in fact the audience” in addition to the also obvious, “What were you expecting? It’s called The [...]

2009′s The Loved Ones is a delirious Australian mash-up of various movies, including Carrie, The Texas Chain Saw Massacre, and Prom Night. Several critics have also dubbed the film as “Pretty in Pink meets Wolf Creek“, and that’s another fairly accurate analogy of this frightening yet resonant exercise in genre dramatics — it represents an [...]

At first glance, Tomorrow, When the War Began — the filmic adaptation of the hugely popular teen fiction novel by John Marsden — appears to be a cheap Australian amalgam of Red Dawn and The Breakfast Club. Despite these superficial observations, this directorial debut for Stuart Beattie is a thrilling character-driven action-adventure film, and a [...]

The Horseman is an Australian addition to the long line of “vigilante dad” films that stretch back to Ingmar Bergman’s The Virgin Spring, in which a father — normally either a widower or a divorcee — is made a tad nutty by grief, and begins ruthlessly slaughtering those responsible for a crime against a loved [...]

Not everyone may share the same opinion, but this reviewer immensely enjoyed Paul W.S. Anderson’s Death Race. It’s cinematic junk food, sure, but the big dumb fun aspect and the expert action sequences made it easy to dismiss the cold critical heart in this reviewer’s chest and forget that critics are supposed to hate exploitation [...]

Back in 1981, Peter Weir’s acclaimed motion picture Gallipoli asserted Australia’s cultural independence from Britain by portraying Aussie soldiers as heroic, anti-authoritarian and noble. Additionally, the film displayed to the world just how big a part the Aussies played in WWI and how tremendous their sacrifice was, while also damning the way the Australians were [...]

Shot and produced by photographer Tim Hetherington and journalist Sebastian Junger, Restrepo is one of the most powerful filmic examinations of modern warfare. While embedded in Afghanistan for 15 months throughout 2007 and 2008 (on and off) for a Vanity Fair assignment, Hetherington and Junger shot approximately 150 hours of video footage which was ultimately [...]

When was the last time you remember seeing a genuinely good shark movie? Steven Spielberg’s Jaws from 1975 is likely the most popular choice, and it’s perhaps the only good shark film in existence. In subsequent years, a few subpar Jaws sequels entered cinemas along with films like Deep Blue Sea, and then a few [...]

The stereotypical Hollywood comedy formula receives a bad rap on a frequent basis, but this is only because the formula is too often implemented poorly. However, there are exceptions. If a film sticks to the status quo and does it right — hitting the expected story beats with wit and grace — the result can [...]

It is absolutely beyond this reviewer’s mental parameters as to why Wild Target endured such a ruthless critical reception during its fleeting theatrical run in 2010. Perhaps it depends on mood and expectations, but Wild Target is a wonderfully droll, effortlessly charming and spry action-comedy from the British school of black humor. Rarely less than [...]