You and I both know the truth. You just don't admit it.
If cinematic quirkiness exists on a spectrum that ranges from charming to obnoxiously grating, then surely try-hard rom-com 3rd Street Blackout is pushing towards the latter end. Every character in the movie speaks and acts as though they know they’re in a quirky indie flick, but there’s no meta subtext at work as a result….
For the sake of curiosity, the only selling point that angsty indie drama One More Time appears to boast is its depiction of Christopher Walken and Amber Heard of all people as father and daughter. That’s an odd pairing right there and while Walken’s shtick is one of the most famous in the business, he’s…
Generally, part of the charm of international cinema is that it’s specifically and obviously not Hollywood cinema. So when something like the Norwegian disaster drama The Wave tries so desperately and artlessly to ape similarly themed Hollywood blockbusters, there’s a sense of overwhelmingly suffocating futility that plagues the project. Of course, if The Wave actually…
The story of Danish painter Einar Wegener’s transition into Lili Elbe seems tailor-made for cinematic examination. There’s a physical aspect that can be attended to visually as Lili (Eddie Redmayne, Oscar winner for “The Theory of Everything”) comes to the external forefront when Einar begins wearing dresses and wigs. And there’s a deeply internal aspect…
Condensing a love story into a mere twelve minutes of screen time poses some considerable challenges for the filmmakers and actors, but it can make for very lean storytelling devoid of any fat. That’s the case with Stutterer, which manages to cover the main bases of the classic romantic movie formula within its very tight…
The impact of a documentary is generally determined by either the power of the filmmaking or the potency of the subject matter. Of course, the best documentaries are those that draw strength from both areas of the process, but those are rarer than the docs that earn points for simply finding a great topic and…
Cinema as a mode of fabricated observation can be fascinating because, unless instructed to do so, the camera doesn’t judge. This is the key to entering Patrick Vollrath’s powerful domestic drama Everything Will Be Okay, which chronicles a divorced father’s initially fun day out with his daughter during which life-altering decisions are made. The movie…
