Articles by Aaron Leggo

The Critical Movie Critics

You and I both know the truth. You just don't admit it.


Movie Review: Godzilla (2014)

For Godzilla’s sixtieth birthday, I can’t imagine a better gift than the one Gareth Edwards has just given in the form of a massive scale blockbuster that celebrates the beloved Toho monster in flabbergasting fashion. Edwards has translated his own adoration of the iconic monster into an artful love letter of epic proportions, delivering a…

Movie Review: Brick Mansions (2014)

Remakes come in a wide range of shapes and sizes, some more similar to their source material than others. The mold that Brick Mansions was formed in is the kind that thrives on familiarity, though it’s probably a good thing in this case. An English-language update of the 2004 French flick “District 13,” Brick Mansions…

Movie Review: Noah (2014)

Giant rock creatures? A bevy of clichés? Another awful performance from Emma Watson? So this is what a biblical epic looks like in the new millennium. It’s also what Darren Aronofsky looks like with a big budget. Neither is very encouraging. Well, except for the rock monsters, of course. Aronofsky’s Noah is a non-traditional take…

Movie Review: The Grand Budapest Hotel (2014)

Wes Anderson’s filmmaking fingerprints are distinctive, to say the least. His delicate touch is visible in every frame of his carefully constructed pictures, as if he’s built each cinematic world entirely with his own two hands. It’s impressive, but occasionally the result is too mechanically quirky for its own good. And it often feels like…

Movie Review: Enemy (2013)

Denis Villeneuve knows the truth: Spiders are evil. And now he’s made an entire movie about this. It’s hard to say whether Villeneuve is a genuine arachnophobe or just not a fan of the definitive creepy-crawly creatures, but his deliciously bleak head-trip thriller Enemy is absolutely littered with them. The arachnids are up to no…

Movie Review: The Wind Rises (2013)

For what is supposedly his final film, anime master Hayao Miyazaki ambitiously departs from his usual genre territory and yet still honors his innermost passions while once again expressing wonder through the imaginative eyes of its protagonist. The Wind Rises stands out in Miyazaki’s filmography because not only is it anchored in reality when nearly…

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