Having watched so many films of different shapes and sizes, I am a bitter, fastidious sod who lives up to his film snobbish reputation. I will watch anything and I do mean anything. I've seen things that would make lesser men tremble in fear, like Gigli. And I've seen things that much more sensible people would turn off before it was too late, like Gigli. I hate Gigli.
Undoubtedly, Cannes produces a showcase selection of films considered artistic or valuable, but it also incurs the inevitable backlash. As such, being the winner of the Palme d’Or in the short film category, it’s impossible to respond to Timecode without fastidious scrutiny.
Origin is a retelling of the classic “Science Vs. Nature” stories with the oft-told moral that humanity playing god is a very, very bad thing. And if you’ve seen it once, you’ve seen everything this has to offer several times before.
Frank & Lola is a pleasant surprise at the end of the year as Oscar season looms ominously in the distance. If adverse to the dreck that usually goes up for the awards, Matthew Ross’s debut is an enjoyable and dark alternative.
Films centering around the American military generally fall into two camps: Pro-war and anti-war. The U.S. military will always be a subject of extremely dichotomized opinions and, as such, films revolving around a soldier will generate polarizing reactions depending on its approach and on an individual’s personal beliefs. Where Birthday lies between these opposing sides…
Admittedly, things are bound be lost in translation when watching an international film. Certain cultural nuances from any given nation can mystify another nation that has its very own set of cultural nuances; that’s just how the world works. Particularly with folklore and mythology, the complete lack of social and cultural context outside of the…
There exists no alternative in critiquing James Steven Sadwith’s Coming Through the Rye without first discussing the novel which both its title and story derives from. Personally speaking, I never finished reading The Catcher in the Rye. Despite the national uproar that the novel stirred by its addition to school curriculums in the United States,…
Let’s get niceties out of the way first. The costume design, set design, effects and makeup — that part of Asiel Norton’s post-apocalyptic Orion is fine. It’s all good; probably a small beacon of pleasure to feel impressed by while watching. Everything else? Without any sense of hyperbole, Orion can not only at times present…
