Articles by Roberto Montiel

The Critical Movie Critics

Roberto is a PhD recipient in Philosophy and Postcolonial Literature.


Movie Review: Wasp (2015)

Babbling in a bubble. Like babbling in a bubble. No wise words. No intelligible ideas. Only an interminable babble of three carton-cut characters living in the little bubble that this film provides. Watching Wasp is like listening to an irrelevant insect buzzing around without it becoming anything but a mild nuisance in the background. The…

Movie Review: The Lobster (2015)

Driving is an androgynous slob. Could be a woman, a man or a mime — she actually looks like Marcel Marceau without makeup. It’s raining, drizzling over her windshield, drops that produce a mud the wipers intermittently splatter onto her sight. When she arrives where she was going to, we watch her leaving her car,…

Movie Review: Room (2015)

Living in captivity is not so when captivity is everything you know. No cell can be bigger than the one constituting our environment, and when our whole environment consists of a small room, bigger than an average houseroom but smaller than a bachelor apartment, a shedding that has seen your birth and growth, then the…

Movie Review: Wildlike (2014)

God did I want to like Wildlike — I really, really wanted to. Let me tell you why. Though I’ll not bore you with unnecessary details, I should elaborate on such a self-absorbed claim: I am a seriously superstitious soul. “Seriously” is, in all truth, almost a euphemism in this context, but I rather drown…

Movie Review: Mistress America (2015)

In fiction as in life the secret lies in believing too much while knowing too little. This lack of self-awareness, which often translates in a very low awareness of one’s own environment, can be a blessing in such difficult times as the ones we live in. Naiveté is the closest we can get to innocence,…

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