Articles by Roberto Montiel

The Critical Movie Critics

Roberto is a PhD recipient in Philosophy and Postcolonial Literature.


Movie Review: Turbo Kid (2015)

Post-apocalyptic times call for post-apocalyptic measures. The end of all ends elicits from us a fear that is as primal as it is endless. If it is true that individual death is a fear we all share — and a destiny we all shall fulfill — it is just as true that there is a…

Movie Review: Irrational Man (2015)

I will approach this review a little differently if you don’t mind. But allow me first to tell you a little story. I made an irrational choice. I started my review for Irrational Man before I even saw the movie. Irrational indeed. I started this review before I even knew whether this movie was going…

Movie Review: Mr. Holmes (2015)

We’re fascinated by superheroes. Our fascination mainly stems from the fact that no matter how much we get to know them, we never get to know them enough; they keep surprising us over and over again. At the brink of every new challenge, of every new puzzle or danger, we still hold the belief that…

Movie Review: Blood Cells (2014)

Sometimes blood ties are strong enough to reunite estranged relatives living at opposite sides of the world. ‘Blood calls’, we often hear from close and distant kin. And we can easily attribute such call to the fact that we all have a past and, behind such past, there is almost always a family. However, sometimes…

Movie Review: What We Do in the Shadows (2014)

Vampires ain’t cool no more. They used to be so and, as happens to everything trendy, they kind of got old. Then came the whole teenage-sexy-cheesy “Twilight” saga (with every twitched creature it spawned, monstrosities such as “Vampire Academy”) and sucked the genre dry. Vampires thus lost any bit of credibility they had left, and…

Movie Review: Amy (2015)

Those days that see no sunset are bound to become myths. Amy Winehouse was once like one of those twilightless days that just faded away from view. She did, however, fade in front of our eyes. We saw her dissipating, slowly disappearing — we saw her vanishing only to never watch her die. Asif Kapadia’s…

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