Movie Reviews

Movie Review: Absolutely Fabulous: The Movie (2016)

Well, Britain’s bombastic booze-loving fashion figureheads are back for some familiar naughty fun and frolicking, so committed “AbFab” fans can rejoice. So brace yourself “sweetie darlings” as TV-based drunken divas Patsy and Edina make their boisterous and cheeky return to the big screen in the off-kilter and shrewdly amusing, Absolutely Fabulous: The Movie. The movie…

Movie Review: The Mind’s Eye (2015)

As The Mind’s Eye begins, white lettering on a black screen informs us that in the 1980s, federal funding was approved for private research facilities to study psychokinetic individuals, bringing them to their full potential. As expected, when held against their will in these facilities, those possessed with these abilities revolted against their captors. Next…

Movie Review: The Dwarvenaut (2016)

Dungeons & Dragons. A fantasy mythos where people of all ages and from many walks of life come together to play with multi-sided dice and steadily build worlds of remarkable complexity and creativity in which elves, barbarians, warlocks, mages and dwarves embark on great adventures. A mythos that provides many with great pleasure and fulfillment…

Movie Review: Suicide Squad (2016)

The DC Extended Cinematic Universe continues. In what seems to be the penultimate comic book movie of the year, David Ayer (“End of Watch,” “Fury”) has the task of selling an unknown quantity to mass audiences, while also following the path of the controversial “Batman v Superman: Dawn of Justice.” I have the good fortune…

Movie Review: Nine Lives (2016)

The opening shots of Nine Lives are composed of actual cat videos ripped straight from the internet. It’s incredibly fitting, because Nine Lives feels about as funny as a cat video, but runs almost 86 minutes longer than most of those. When a premise is this tired, the final product is only as good as…

Movie Review: Jason Bourne (2016)

There are three distinct musical features in the Jason Bourne franchise. The most obvious is Moby’s “Extreme Ways,” played over the credits of each film in various versions. There is also the fast, pulsing rhythm of John Powell’s score, a musical heartbeat to the dizzying action on screen. And there is a mournful refrain that…

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