Movie Reviews

Movie Review: Catching Fireflies (2015)

Heartstrings are tugged quite relentlessly in Lee Whittaker’s hyperbolically dark and dingy drama Catching Fireflies, but perhaps to touching effect. Whittaker has some very slick tools in his filmmaking arsenal and so he successfully crams a lot of style and technically ambitious tricks into the compact 19 minute running time, while convincingly depicting the hellishly…

Movie Review: Rams (2015)

Un Certain Regard prize winner at the Cannes Film Festival, Rams (Hrútar) is a comedy/drama where communication is a luxury until it becomes a matter of survival. Directed by Grímur Hákonarson (“Summerland”) and set in a remote village in Iceland, it is the story of two unmarried brothers, Gummi (Sigurður Sigurjónsson, “Brave Men’s Blood”) and…

Movie Review: Crush the Skull (2015)

On the third day of the Spooky Movie International Film Festival, showing at the AFI Silver Theater in Silver Spring, Maryland, I caught the home-invasion thriller Crush the Skull, directed (and cowritten) by Viet Nguyen. It’s a reasonably solid movie, with agreeable performances and some slick dialog, but it begins to fall apart about halfway…

Movie Review: Momentum (2015)

Clumsy action thriller Momentum may as well be retitled “Further Proof That Morgan Freeman Will Star in Anything.” The towering talent who has played everyone from Robin Hood’s sidekick to God is cinematically ubiquitous and yet has long since remained respectable while slipping deeper into embarrassing paycheck territory. One has to think that the reason…

Movie Review: The Hallow (2015)

In The Hallow, a couple and their infant son move into an old house that borders a mysterious Irish forest thought to be of malevolent disposition. Spoiler alert: It truly is. There are vengeful beings living in those woods, and they’re none to pleased to have the family traipsing about. Adam and Clare Hitchens (Joseph…

Movie Review: Son of Saul (2015)

While no movie can fully capture the madness of what life in a concentration camp must have been like, László Nemes’ Cannes Grand Prize Award winning Son of Saul, his first feature film, may come close to recreating the experience. Written by the director and Clara Royer and shot in 35mm with a 4:3 aspect…

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