“Suffering is what was born. Ignorance made me forlorn. Tearful truths I cannot scorn” — Allan Ginsberg Co-directed with Juliano Ribeiro Salgado, Wim Wenders’ (“Pina”) The Salt of the Earth chronicles Brazilian photographer Sebastião Salgado’s essays shot over a period of thirty years in one hundred different countries. Winner of the Special Jury Prize at…
“I’ve become so disturbed by younger people. They upset me so much that I’ve closed my doors” – Henrik Ibsen from “The Master Builder” Now 44, childless, arthritic, and stuck in career limbo, Josh Svebnick (Ben Stiller, “The Watch”) has the good sense to realize that life is passing him by. Though Josh and his…
Nicholas Sparks, who has probably put more words to paper than William Shakespeare (although none as memorable) has graced us with his yearly obligatory salute to misogyny, perfect abs and beautiful white people with problems we WISH we could have in his latest tearjerker, The Longest Ride. Sparks, the creator of such books/films as “The…
Stet, a troubled and angry Texas boy of eleven lives on the less affluent side of the tracks in Boychoir, Quebecois director François Girard’s (“The Red Violin”) feel-good story about a musically talented boy’s climb from adversity to self-acceptance. Written by Ben Ripley (“Source Code”), Girard’s first film in seven years boasts an outstanding cast…
It’s more than a little strange to get suddenly swept up in the events of a series for the first time while watching the seventh installment, but that’s what happened with Furious 7, a gloriously bonkers and awesomely ambitious entry in a franchise that previously always seemed to come up a bit short. It’s clear…
The second film from “The Myth of the American Sleepover” writer/director David Robert Mitchell, It Follows is the deservedly most anticipated horror flick of this spring. Teeming with eerie, ethereal synth music, dark psycho-sexual themes, and references to 1980s horror classics amid a dreary, timeless Detroit landscape, It Follows is a refreshingly subtle, practically gore-less…
Pierre Morel certainly knows a thing or two about molding celebrated thespians into B-movie action heroes, having previously kicked off Liam Neeson’s twilight transformation into a growly ass-kicker with the first “Taken” flick, but not everyone can make the transition so smoothly. Sean Penn seems an even unlikelier B-pic headliner than Neeson once was, considering…
