There’s certainly no accounting as to why Ben Affleck (“Gone Girl”) would choose this, The Accountant, a tepid and convoluted thriller to star in, but all I know is I wish I could deduct the two-plus hours I spent at the cinema to see it; time I will never get back in a refund next…
Admittedly, things are bound be lost in translation when watching an international film. Certain cultural nuances from any given nation can mystify another nation that has its very own set of cultural nuances; that’s just how the world works. Particularly with folklore and mythology, the complete lack of social and cultural context outside of the…
As interesting as the Star Wars franchise has been (and continues to be), it can’t seem to shake old tropes. Take for instance the Death Star. It appears in all but the first two films (someone fact check me, please) and, although under a new name, even appears as in “Star Wars: The Force Awakens.”…
In a scene near the end of Downhill, a scowly, bald-headed ruffian mutters, “What a waste” just before blowing someone’s head off. The statement could also serve as an unfortunate slogan for the movie itself: An interesting premise and a gorgeous setting undermined by spotty writing and hysterical overacting. It’s almost bad enough to someday…
It’s difficult to make a comedy these days without it devolving into either juvenile slapstick buffoonery or an ignorant vulgarity-laden vehicle for the nation’s lowest common denominators. It’s especially hard when such a film’s protagonist is so completely devoid of intelligence or even common sense as to be totally unrelatable and unsympathetic throughout. Oh, and…
Antoine Fuqua’s The Magnificent Seven is set in a world where even having a drink requires vigilance. The film opens with Bartholomew Bogue’s (Peter Sarsgaard, “Black Mass”) hostile takeover of Rose Creek, a small mining community. This results in the deaths of countless settlers — most notably Matthew Cullen (Matt Bomer, “The Nice Guys”), whose…
Nostalgia can be a dangerous thing. Often the fondness for our youth can blind objectivity and feel like a betrayal of those simpler times. I cannot speak for my fellow critics, but I myself am fairly young. I was only six years old when the original Digimon series aired in the U.S. and I have…
